Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of DesireDuke University Press, 28.02.1995 - 248 Seiten In recent years, New Historicists have situated the iconoclasm of Milton’s poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton’s works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language. Cable traces the development of Milton’s iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton’s engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world. An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language. |
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... University Press 1990. Reprinted with the permis- sion of Cambridge University Press . Portions of chapter 3 first appeared in " Coupling Logic and Milton's Doctrine of Divorce , " Milton Studies XV , James D. Simmonds , ed ...
... University Press 1990. Reprinted with the permis- sion of Cambridge University Press . Portions of chapter 3 first appeared in " Coupling Logic and Milton's Doctrine of Divorce , " Milton Studies XV , James D. Simmonds , ed ...
Seite 199
... University of Toronto Press , 1975 ) . More recently , an interdisciplinary perspective has informed Mark Turner's study Death Is the Mother of Beauty : Mind , Metaphor , Criticism ( Chicago : University of Chicago Press , 1987 ) , and ...
... University of Toronto Press , 1975 ) . More recently , an interdisciplinary perspective has informed Mark Turner's study Death Is the Mother of Beauty : Mind , Metaphor , Criticism ( Chicago : University of Chicago Press , 1987 ) , and ...
Seite 217
... University Press , 1965 ) , pp . 153– 75 ; Arnold Stein , Heroic Knowledge : An Interpretation of " Paradise Regained " and " Samson Agonistes " ( Minneapolis : University of Minnesota Press , 1957 ) ; and Anthony Low , The Blaze of ...
... University Press , 1965 ) , pp . 153– 75 ; Arnold Stein , Heroic Knowledge : An Interpretation of " Paradise Regained " and " Samson Agonistes " ( Minneapolis : University of Minnesota Press , 1957 ) ; and Anthony Low , The Blaze of ...
Inhalt
Toward a Theory | 9 |
The Rhetorical Agon | 52 |
The Coupling Rhetoric | 90 |
Urheberrecht | |
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Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of Desire Lana Cable Eingeschränkte Leseprobe - 1995 |
Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of Desire Lana Cable Eingeschränkte Leseprobe - 1995 |
Häufige Begriffe und Wortgruppen
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