Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of DesireDuke University Press, 28.02.1995 - 248 Seiten In recent years, New Historicists have situated the iconoclasm of Milton’s poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton’s works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language. Cable traces the development of Milton’s iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton’s engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world. An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language. |
Im Buch
Ergebnisse 1-3 von 89
Seite 49
... rhetoric that is carnal in service to God and that which is carnal in service to itself . If the task of Milton's carnal rhetoric is in fact to make the willing embrace of metaphor's mortal striving consistent with , and constantly ...
... rhetoric that is carnal in service to God and that which is carnal in service to itself . If the task of Milton's carnal rhetoric is in fact to make the willing embrace of metaphor's mortal striving consistent with , and constantly ...
Seite 87
... rhetorical ambivalences of the antiprelatical tracts argue a different order of carnal apprehension — an affective intensity capable not only , to use K. G. Hamilton's phrase , of " swamping the argument " but of seducing , deluding ...
... rhetorical ambivalences of the antiprelatical tracts argue a different order of carnal apprehension — an affective intensity capable not only , to use K. G. Hamilton's phrase , of " swamping the argument " but of seducing , deluding ...
Seite 113
... carnal opponent , the prospects for ideal vision get caught in the crossfire . The rhetoric of gender that burdens strategic dualism places a similar burden on the redemptive capacities of the flesh.23 Arguably , the " frank eroticism ...
... carnal opponent , the prospects for ideal vision get caught in the crossfire . The rhetoric of gender that burdens strategic dualism places a similar burden on the redemptive capacities of the flesh.23 Arguably , the " frank eroticism ...
Inhalt
Toward a Theory | 9 |
The Rhetorical Agon | 52 |
The Coupling Rhetoric | 90 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of Desire Lana Cable Eingeschränkte Leseprobe - 1995 |
Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of Desire Lana Cable Eingeschränkte Leseprobe - 1995 |
Häufige Begriffe und Wortgruppen
according activity actually aesthetic affective antiprelatical tracts appear Areopagitica argu argument artistic authority bearing becomes bishops body carnal carnal rhetoric cause Chapter claims concept construct coupling course creative critical Dalila depends desire Discipline discourse divine Doctrine Eikon English experience expressed fact faith feelings finally finds force freedom gives God's Harapha historical holy human icon iconoclastic idea idol imagery imaginative individual interpretive John kind king king's language less linguistic literary living marriage meaning ment metaphor Milton's mind moral nature once passage perfect poetic poetry polemical political prayer prelates present Press principle Prose radical rational reader reading reason reference Reformation religious requires response rhetoric Samson Agonistes seems sense sensory shows spiritual structures suggests theory things thou thought tion tracts transformative true truth union University University Press vision witness writing