Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 Seiten Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Seite 93
Reflections Chiefly on the Tragedies Maynard Mack. I hear a tongue shriller than all the music Cry " Caesar ! " Speak . Caesar is turned to hear . SOOTHSAYER : Beware the ides of March . CAESAR : BRUTUS : What man is that ? A soothsayer ...
Reflections Chiefly on the Tragedies Maynard Mack. I hear a tongue shriller than all the music Cry " Caesar ! " Speak . Caesar is turned to hear . SOOTHSAYER : Beware the ides of March . CAESAR : BRUTUS : What man is that ? A soothsayer ...
Seite 195
... hear the gradually swelling underbeat of the allied drums , called for by the stage directions in 5.2 , 4 , 6 , and 8 , and audible elsewhere if the director de- sires . This gives a sensory dimension to the increasing prosperity of ...
... hear the gradually swelling underbeat of the allied drums , called for by the stage directions in 5.2 , 4 , 6 , and 8 , and audible elsewhere if the director de- sires . This gives a sensory dimension to the increasing prosperity of ...
Seite 196
... hear again in the distance the steady beat of the allied drums signifying the existence of a very different point of view about the value of life , the impact is powerful . Perhaps the most telling sensory effect in these final scenes ...
... hear again in the distance the steady beat of the allied drums signifying the existence of a very different point of view about the value of life , the impact is powerful . Perhaps the most telling sensory effect in these final scenes ...
Inhalt
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Urheberrecht | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Eingeschränkte Leseprobe - 1993 |
Häufige Begriffe und Wortgruppen
action already Antony appears audience become beginning believe bring Brutus Caesar character Cleopatra close comes course critics death Desdemona dream earlier effect Elizabethan engagement experience eyes face fact fall father feeling figure Fool give Hamlet hand hear heart hero human imagination instance Juliet killed kind King Lear language later least light lines lives look lovers Macbeth madness marriage matter meaning mind mother moves murder mystery nature never night once opening Othello passion perhaps person play play's possibly present question reason relation Romeo says scene seems seen sense Shake Shakespeare simply sort speaks speech stage stand story tells theater thee thing thou thought tion tragedy tragic true turn University voice whole woman young