Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation to the Poetry of the TimeOxford University Press, 1952 - 279 Seiten |
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Seite 182
... allowed to speak his mind after the eavesdropping . Both Benedick and Beatrice are comic without being ridicu- lous , and they provide the audience with the same kind of mirth that they are supposed to provide their friends . Their ...
... allowed to speak his mind after the eavesdropping . Both Benedick and Beatrice are comic without being ridicu- lous , and they provide the audience with the same kind of mirth that they are supposed to provide their friends . Their ...
Seite 187
... allowed more than a pretty lyric by way of remorse . In the church scene he had spoken out , and spoken the words which his earlier character warranted . There is no further role for him , or for Hero , save to make a pair in the final ...
... allowed more than a pretty lyric by way of remorse . In the church scene he had spoken out , and spoken the words which his earlier character warranted . There is no further role for him , or for Hero , save to make a pair in the final ...
Seite 222
... allowed to be both absurd and fully human : the attitude is one of sympathetic amusement . This may sound commonplace enough , but very little Elizabethan laughter was sympathetic . The Broad Flout , the Fleering Frump , the Dry Mocke ...
... allowed to be both absurd and fully human : the attitude is one of sympathetic amusement . This may sound commonplace enough , but very little Elizabethan laughter was sympathetic . The Broad Flout , the Fleering Frump , the Dry Mocke ...
Inhalt
PRINTED IN ENGLAND | 1 |
Court Poetry of Elizabeths | 18 |
Elizabethan Poetic and | 35 |
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Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation ... M. C. Bradbrook Eingeschränkte Leseprobe - 1979 |
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appear audience Bassanio Beatrice beauty Ben Jonson Benedick Berowne Bertram Chapman chapter characters Claudio clowns colours comedy comic contrast court courtier courtly decorum disguise dramatic Drayton's echoes Elizabethan emblematic embodiment English eyes Falstaff figures fool Hamlet hath Hellen Henry Henry IV Hero and Leander honour Hotspur imagery Jonson kind King lady lament lively Lord loue Love's Labour's Lost lovers Marlowe Marlowe's masque medieval mirror mistress mock modern moral Nature Ovidian Romance parody pastoral pattern perhaps Petrarchan Phoebe Platonic play poem poet poetry popular Prince Proteus Puttenham Queen Rape of Lucrece relation Revenge rhetorical Richard Richard II Romeo and Juliet Rosalind scene sense Shakespeare Shylock Sidney Silvia soliloquy song sonnets species speech Spenser stage story style symbolic thee theme thou Titus Titus Andronicus tradition tragedy tragic Troilus Twelfth Night Venus and Adonis wooing words writing