Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation to the Poetry of the TimeOxford University Press, 1952 - 279 Seiten |
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Seite 53
... final affirmation has all the suspicious marks of a death - bed repentance : and Spenser is honest enough to add the two stanzas of the VII Canto in which he admits that the conflict in his own mind is still unresolved . The natural ...
... final affirmation has all the suspicious marks of a death - bed repentance : and Spenser is honest enough to add the two stanzas of the VII Canto in which he admits that the conflict in his own mind is still unresolved . The natural ...
Seite 102
... final scene , twenty - four dénouements in the space of 455 lines . This is quite exceptional , whereas May - Day ( which appeared a year after Cymbeline ) is quite typical of Chapman , and depends throughout on ' catch - as - catch ...
... final scene , twenty - four dénouements in the space of 455 lines . This is quite exceptional , whereas May - Day ( which appeared a year after Cymbeline ) is quite typical of Chapman , and depends throughout on ' catch - as - catch ...
Seite 134
... final execution , that of Buckingham him- self , occurs when the counter - movement is already begun . With the achievement of his ambition , Richard has no further need to play a role , and his witty dissimulation gives way to ...
... final execution , that of Buckingham him- self , occurs when the counter - movement is already begun . With the achievement of his ambition , Richard has no further need to play a role , and his witty dissimulation gives way to ...
Inhalt
PRINTED IN ENGLAND | 1 |
Court Poetry of Elizabeths | 18 |
Elizabethan Poetic and | 35 |
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Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation ... M. C. Bradbrook Eingeschränkte Leseprobe - 1979 |
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appear audience Bassanio Beatrice beauty Ben Jonson Benedick Berowne Bertram Chapman chapter characters Claudio clowns colours comedy comic contrast court courtier courtly decorum disguise dramatic Drayton's echoes Elizabethan emblematic embodiment English eyes Falstaff figures fool Hamlet hath Hellen Henry Henry IV Hero and Leander honour Hotspur imagery Jonson kind King lady lament lively Lord loue Love's Labour's Lost lovers Marlowe Marlowe's masque medieval mirror mistress mock modern moral Nature Ovidian Romance parody pastoral pattern perhaps Petrarchan Phoebe Platonic play poem poet poetry popular Prince Proteus Puttenham Queen Rape of Lucrece relation Revenge rhetorical Richard Richard II Romeo and Juliet Rosalind scene sense Shakespeare Shylock Sidney Silvia soliloquy song sonnets species speech Spenser stage story style symbolic thee theme thou Titus Titus Andronicus tradition tragedy tragic Troilus Twelfth Night Venus and Adonis wooing words writing