Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation to the Poetry of the TimeOxford University Press, 1952 - 279 Seiten |
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Seite 39
... style . The three styles or modes of writing - high , middle and low - which the Renaissance inherited from the Middle Ages would be appropriate not so much to given subjects as to given intentions . An heroic purpose would require a ...
... style . The three styles or modes of writing - high , middle and low - which the Renaissance inherited from the Middle Ages would be appropriate not so much to given subjects as to given intentions . An heroic purpose would require a ...
Seite 80
... style , where the words themselves play into each other , where imagery and subsidiary meanings , echoes and puns play across from word to word , can be seen , as has been said , by contrasting the style of Richard III with that of ...
... style , where the words themselves play into each other , where imagery and subsidiary meanings , echoes and puns play across from word to word , can be seen , as has been said , by contrasting the style of Richard III with that of ...
Seite 248
... style of Spenser and Sidney but the fact that the low style came in and the high style went out is symptomatic of an important shift of interest . For the particular simile of ' Style as a garment ' , see Puttenham , ed . cit . , pp ...
... style of Spenser and Sidney but the fact that the low style came in and the high style went out is symptomatic of an important shift of interest . For the particular simile of ' Style as a garment ' , see Puttenham , ed . cit . , pp ...
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Court Poetry of Elizabeths | 18 |
Elizabethan Poetic and | 35 |
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Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation ... M. C. Bradbrook Eingeschränkte Leseprobe - 1979 |
Häufige Begriffe und Wortgruppen
appear audience Bassanio Beatrice beauty Ben Jonson Benedick Berowne Bertram Chapman chapter characters Claudio clowns colours comedy comic contrast court courtier courtly decorum disguise dramatic Drayton's echoes Elizabethan emblematic embodiment English eyes Falstaff figures fool Hamlet hath Hellen Henry Henry IV Hero and Leander honour Hotspur imagery Jonson kind King lady lament lively Lord loue Love's Labour's Lost lovers Marlowe Marlowe's masque medieval mirror mistress mock modern moral Nature Ovidian Romance parody pastoral pattern perhaps Petrarchan Phoebe Platonic play poem poet poetry popular Prince Proteus Puttenham Queen Rape of Lucrece relation Revenge rhetorical Richard Richard II Romeo and Juliet Rosalind scene sense Shakespeare Shylock Sidney Silvia soliloquy song sonnets species speech Spenser stage story style symbolic thee theme thou Titus Titus Andronicus tradition tragedy tragic Troilus Twelfth Night Venus and Adonis wooing words writing