Methods and Nations: Cultural Governance and the Indigenous SubjectPsychology Press, 2004 - 258 Seiten Methods and Nations critiques one of the primary deployments of twentieth-century social science: comparative politics whose major focus has been "nation-building" in the "Third World," often attempting to universalize and render self-evident its own practices. International relations theorists, unable to resist the "cognitive imperialism" of a state-centric social science, have allowed themselves to become colonized. Michael Shapiro seeks to bring recognition to forms of political expression-alternative modes of intelligibility for things, people, and spaces-that have existed on the margins of the nationhood practices of states and the complicit nation-sustaining conceits of social science. |
Inhalt
Social Science Comparative Politics and Inequality | 1 |
NationStates Drama and Narration | 30 |
The MusicoLiterary Aesthetics of Attachment and Resistance | 63 |
Landscape and Nationhood | 97 |
Film and Nation Building | 130 |
The NationState and Violence Wim Wenders Contra Imperial Sovereignty | 160 |
Notes | 190 |
| 228 | |
| 245 | |
Andere Ausgaben - Alle anzeigen
Methods and Nations: Cultural Governance and the Indigenous Subject Michael J. Shapiro Eingeschränkte Leseprobe - 2004 |
Methods and Nations: Cultural Governance and the Indigenous Subject Michael J. Shapiro Eingeschränkte Leseprobe - 2004 |
Methods and Nations: Cultural Governance and the Indigenous Subject Michael J. Shapiro Eingeschränkte Leseprobe - 2004 |
Häufige Begriffe und Wortgruppen
African American music ambiguous American nation American nationhood articulated biopolitical blues challenge chapter character Cheyenne Autumn cinema colonial Coltrane’s constitutes contemporary contest contrast critical critique cultural governance Deleuze discourse domestic dominant effect Eisenstein encounter England English episode ethnic Euro American European example exemplary film film’s Ford Ford’s Foucault French genre Gilles Deleuze global Hawai’i Hawaiian historical Ibid identity ideology images imperial indigenous involved Irving Berlin jazz John John Coltrane Kansas City land landscape art landscape painting language Lerner literary Mashpee Michel Foucault modern modes musical theater myth narrative nation-building nation-state national culture Native American nineteenth century noted novel Oklahoma perspective practices produced quotation racial reflected relationship representation resistance role Rushdie’s scene significant social science song sovereignty space spatial state’s story surveillance territorial theater tradition trans translation treat treatment University Press Valance violence West western Wim Wenders Wister Woerden writing York