Laocoon: an essay on the limits of painting and poetry, tr. by E.C. BeasleyLongman, Brown, Green, and Longmans, 1853 |
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Seite 37
... Roman poet not only imitated , but , as might be said with more truth still , faithfully translated from him , the entire account of the conquest and destruction of Ilium , which constitutes the whole of the second book . Thus , if ...
... Roman poet not only imitated , but , as might be said with more truth still , faithfully translated from him , the entire account of the conquest and destruction of Ilium , which constitutes the whole of the second book . Thus , if ...
Seite 38
... Roman poet , unless they had been previously acquainted with him , or perhaps had a Paralip . xii . 383 . bOr rather on the serpent ; for Lycophron mentions one only , καὶ παιδοβρῶτος πορκέως νήσους διπλᾶς . received an express ...
... Roman poet , unless they had been previously acquainted with him , or perhaps had a Paralip . xii . 383 . bOr rather on the serpent ; for Lycophron mentions one only , καὶ παιδοβρῶτος πορκέως νήσους διπλᾶς . received an express ...
Seite 55
... between the works of the Roman poets and the remains of the ancient artists , being an attempt to illustrate them mutually from one another . " intimate acquaintance with the extant works of an- cient art LAOCOON . 55.
... between the works of the Roman poets and the remains of the ancient artists , being an attempt to illustrate them mutually from one another . " intimate acquaintance with the extant works of an- cient art LAOCOON . 55.
Seite 56
... Roman poets , and of extracting from them , in return , a solution of the ancient works of art , still unexplained , he has often happily succeeded . But , in spite of this , I maintain that his book must be absolutely intolerable to ...
... Roman poets , and of extracting from them , in return , a solution of the ancient works of art , still unexplained , he has often happily succeeded . But , in spite of this , I maintain that his book must be absolutely intolerable to ...
Seite 62
... Roman poetry , Minerva and Juno often hurl the thunderbolt . Why , asks Spence , do they not do it in their statues also pd He answers , 66 this power was the privilege of these two goddesses , the reason of which was , perhaps , first ...
... Roman poetry , Minerva and Juno often hurl the thunderbolt . Why , asks Spence , do they not do it in their statues also pd He answers , 66 this power was the privilege of these two goddesses , the reason of which was , perhaps , first ...
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Laocoon: An Essay on the Limits of Painting and Poetry, Tr. by E.C. Beasley Gotthold Ephraim Lessing Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
ઃઃ Achilles Æneas Æneid Æsop Agesander ancient artists Apelles appears Athenodorus attributes Bacchus beauty bestowed bodily pain body borrowed Cæsars called Caylus Chabrias CHAPTER contrary disgusting divine drapery effect executed expression eyes feel figure follow fury goddess gods Greek hand Harduin Helen Hercules hero History of Art Homer horrible Ialysus idea Iliad imagination imitation LAMURE Laocoon latter less Lysippus Mars master means ment mentioned merely nature Neoptolemus never Nicias NOTE object Olympiad once Ovid painter painting passage Pausanias Phidias Philoctetes picture piece pleasure Pliny poet poetical poetry Polydorus Polygnotus Polymetis produce Pythodorus quæ reason render representation represented Roman says sculptors sensations serpents shew shield shriek single Sophocles speaking Spence Statius statue suffering supposed taste Thersites tion traits ture ugliness Venus Vesta Virgil visible Vulcan whilst whole Winkelmann wish words δὲ ἐν καὶ μὲν τε τὸ
Beliebte Passagen
Seite 154 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother...
Seite 155 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph...
Seite 232 - Soft were my numbers ; who could take offence While pure Description held the place of sense?
Seite 139 - Bianca nieve è il bel collo, e '1 petto latte; il collo è tondo, il petto colmo e largo: due pome acerbe, e pur d'avorio fatte, vengono e van come onda al primo margo, quando piacevole aura il mar combatte.
Seite 51 - Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Seite 155 - Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Seite 154 - Lag of a brother? Why bastard? Wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? With baseness? bastardy? base, base?
Seite 208 - Sibila lambebant linguis vibrantibus ora. Diffugimus visu exsangues. Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus.
Seite 132 - Tandem progreditur magna stipante caterva, Sidoniam picto chlamydem circumdata limbo. Cui pharetra ex auro, crines nodantur in aurum, aurea purpuream subnectit fibula vestem.
Seite 129 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso.