Laocoon: an essay on the limits of painting and poetry, tr. by E.C. BeasleyLongman, Brown, Green, and Longmans, 1853 |
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Seite 183
... as our first surprise is over , and our first eager look satisfied , it again becomes altogether distinct , and stands before us in its original and unmodified form . CHAPTER XXVI . WINKELMANN'S " History of Ancient Art " LAOCOON . 183.
... as our first surprise is over , and our first eager look satisfied , it again becomes altogether distinct , and stands before us in its original and unmodified form . CHAPTER XXVI . WINKELMANN'S " History of Ancient Art " LAOCOON . 183.
Seite 184
... Winkelmann bears the torch of history before , specu- lation need not hesitate to follow . People generally dip into an important work before they commence seriously reading it . My chief curiosity was to learn the opinion of the author ...
... Winkelmann bears the torch of history before , specu- lation need not hesitate to follow . People generally dip into an important work before they commence seriously reading it . My chief curiosity was to learn the opinion of the author ...
Seite 186
... Winkelmann satisfied with merely quoting this argument of Maffei ? Does it contradict itself ? Not at all ! Although it were corroborated by no other evidence , it would of itself constitute a slight probability , unless there is some ...
... Winkelmann satisfied with merely quoting this argument of Maffei ? Does it contradict itself ? Not at all ! Although it were corroborated by no other evidence , it would of itself constitute a slight probability , unless there is some ...
Seite 188
... Winkelmann deems capable of having produced the Laocoon ? It is true that Pliny does not expressly state the time , at which the artists of the Laocoon flourished . Still , if I were to draw any inference from the con- nection of the ...
... Winkelmann deems capable of having produced the Laocoon ? It is true that Pliny does not expressly state the time , at which the artists of the Laocoon flourished . Still , if I were to draw any inference from the con- nection of the ...
Seite 191
... Winkelmann believes them to be , how un- natural it would appear for an author , in whom accuracy of expression is of considerable importance , when he is forced to pass abruptly from them to the most modern artists , to make this ...
... Winkelmann believes them to be , how un- natural it would appear for an author , in whom accuracy of expression is of considerable importance , when he is forced to pass abruptly from them to the most modern artists , to make this ...
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Laocoon: An Essay on the Limits of Painting and Poetry, Tr. by E.C. Beasley Gotthold Ephraim Lessing Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
ઃઃ Achilles Æneas Æneid Æsop Agesander ancient artists Apelles appears Athenodorus attributes Bacchus beauty bestowed bodily pain body borrowed Cæsars called Caylus Chabrias CHAPTER contrary disgusting divine drapery effect executed expression eyes feel figure follow fury goddess gods Greek hand Harduin Helen Hercules hero History of Art Homer horrible Ialysus idea Iliad imagination imitation LAMURE Laocoon latter less Lysippus Mars master means ment mentioned merely nature Neoptolemus never Nicias NOTE object Olympiad once Ovid painter painting passage Pausanias Phidias Philoctetes picture piece pleasure Pliny poet poetical poetry Polydorus Polygnotus Polymetis produce Pythodorus quæ reason render representation represented Roman says sculptors sensations serpents shew shield shriek single Sophocles speaking Spence Statius statue suffering supposed taste Thersites tion traits ture ugliness Venus Vesta Virgil visible Vulcan whilst whole Winkelmann wish words δὲ ἐν καὶ μὲν τε τὸ
Beliebte Passagen
Seite 154 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother...
Seite 155 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph...
Seite 232 - Soft were my numbers ; who could take offence While pure Description held the place of sense?
Seite 139 - Bianca nieve è il bel collo, e '1 petto latte; il collo è tondo, il petto colmo e largo: due pome acerbe, e pur d'avorio fatte, vengono e van come onda al primo margo, quando piacevole aura il mar combatte.
Seite 51 - Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Seite 155 - Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Seite 154 - Lag of a brother? Why bastard? Wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? With baseness? bastardy? base, base?
Seite 208 - Sibila lambebant linguis vibrantibus ora. Diffugimus visu exsangues. Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus.
Seite 132 - Tandem progreditur magna stipante caterva, Sidoniam picto chlamydem circumdata limbo. Cui pharetra ex auro, crines nodantur in aurum, aurea purpuream subnectit fibula vestem.
Seite 129 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso.