Laocoon: An Essay on the Limits of Painting and PoetryLongman, Brown, Green, and Longmans, 1853 - 255 Seiten |
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Seite 2
... hand to art , and inspired its figures with no ordinary " souls . " 66 ઃઃ The observation on which the foregoing remarks are founded , that the pain in the face of Laocoon does not shew itself with that force which its intensity would ...
... hand to art , and inspired its figures with no ordinary " souls . " 66 ઃઃ The observation on which the foregoing remarks are founded , that the pain in the face of Laocoon does not shew itself with that force which its intensity would ...
Seite 19
... hand ; we tremble in the anticipation of soon recog- nising her as simply cruel , and our imagination carries us far beyond anything , which the painter could have portrayed in that terrible moment itself . But , for that very reason ...
... hand ; we tremble in the anticipation of soon recog- nising her as simply cruel , and our imagination carries us far beyond anything , which the painter could have portrayed in that terrible moment itself . But , for that very reason ...
Seite 26
... hand , imagine a man afflicted by the most painful and incurable disease , but at the same time surrounded by kind friends , who take care that , as far as it lies in their power to prevent it , he wants nothing which could alleviate ...
... hand , imagine a man afflicted by the most painful and incurable disease , but at the same time surrounded by kind friends , who take care that , as far as it lies in their power to prevent it , he wants nothing which could alleviate ...
Seite 44
... hand , as much beauty as an or- ganized body , the work of everlasting wisdom ? Does it demand the same powers ? Is it of the same merit ? Is it equally honourable to imitate the one as the other ? Is deception all that our eyes require ...
... hand , as much beauty as an or- ganized body , the work of everlasting wisdom ? Does it demand the same powers ? Is it of the same merit ? Is it equally honourable to imitate the one as the other ? Is deception all that our eyes require ...
Seite 60
... hand in hand , the poet never suffer- ing himself to lose sight of the painter , nor the painter of the poet . That poetry is the more comprehensive art , that beauties wait on its bidding , which painting would in vain attempt to ...
... hand in hand , the poet never suffer- ing himself to lose sight of the painter , nor the painter of the poet . That poetry is the more comprehensive art , that beauties wait on its bidding , which painting would in vain attempt to ...
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Laocoon: An Essay on the Limits of Painting and Poetry, Tr. by E.C. Beasley Gotthold Ephraim Lessing Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Achilles Æneas Æneid Agesander ancient artists Apelles appears Athenodorus attributes Bacchus beauty bestowed bodily pain body Cæsars called Caylus Chabrias CHAPTER contrary Craterus disgusting divine drapery effect executed expression eyes feel figure follow fury goddess gods Greek hand Harduin Helen Hercules hero History of Art Homer horrible Ialysus idea Iliad imagination imitation LAMURE Laocoon latter less Lysippus Mars master means ment mentioned merely nature Neoptolemus never Nicias NOTE object Olympiad once Ovid painter painting passage Pausanias Phidias Philoctetes picture piece pleasure Pliny poet poetical poetry Polydorus Polygnotus Polymetis produce Pythodorus quæ reason render representation represented Roman says sculptors sensations serpents shew shield shriek single Sophocles sorrow speaking Spence Statius statue suffering supposed taste Thersites tion traits ture ugliness Venus Vesta Virgil visible Vulcan whilst whole Winkelmann wish words ἀυτὰρ δὲ ἐν καὶ μὲν τε τὸ
Beliebte Passagen
Seite 154 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother...
Seite 155 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph...
Seite 232 - Soft were my numbers ; who could take offence While pure Description held the place of sense?
Seite 139 - Bianca nieve è il bel collo, e '1 petto latte; il collo è tondo, il petto colmo e largo: due pome acerbe, e pur d'avorio fatte, vengono e van come onda al primo margo, quando piacevole aura il mar combatte.
Seite 51 - Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Seite 155 - Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Seite 154 - Lag of a brother? Why bastard? Wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? With baseness? bastardy? base, base?
Seite 208 - Sibila lambebant linguis vibrantibus ora. Diffugimus visu exsangues. Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus.
Seite 132 - Tandem progreditur magna stipante caterva, Sidoniam picto chlamydem circumdata limbo. Cui pharetra ex auro, crines nodantur in aurum, aurea purpuream subnectit fibula vestem.
Seite 129 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso.