Laocoon: an essay on the limits of painting and poetry, tr. by E.C. BeasleyLongman, Brown, Green, and Longmans, 1853 |
Im Buch
Ergebnisse 1-5 von 25
Seite 54
... shield of Eneas , he imitates the artist , who made it , according to the first signification of the term . The work of art , not what is represented upon it , is the object of his imitation ; and even though he does describe the latter ...
... shield of Eneas , he imitates the artist , who made it , according to the first signification of the term . The work of art , not what is represented upon it , is the object of his imitation ; and even though he does describe the latter ...
Seite 56
... shields , have represented Mars in that hovering pos- ture above Rhea , in which Addison believed he saw him on a coin ( 19 ) ; and that Juvenal had such a helmet or shield in his mind , when he alluded to it by a word , which , up to ...
... shields , have represented Mars in that hovering pos- ture above Rhea , in which Addison believed he saw him on a coin ( 19 ) ; and that Juvenal had such a helmet or shield in his mind , when he alluded to it by a word , which , up to ...
Seite 111
... shield of Achilles , say they , furnishes us with the most decisive instance , how circumstantially , and yet poetically , a single object may be described by its parts , placed near one another . I will reply to this two - fold ...
... shield of Achilles , say they , furnishes us with the most decisive instance , how circumstantially , and yet poetically , a single object may be described by its parts , placed near one another . I will reply to this two - fold ...
Seite 123
... shield . " Who would censure him for it ? who is not rather grateful to him for this little luxuriancy , when he feels what a good effect it may produce in some few suitable passages . b C But I will not allow the peculiar justification ...
... shield . " Who would censure him for it ? who is not rather grateful to him for this little luxuriancy , when he feels what a good effect it may produce in some few suitable passages . b C But I will not allow the peculiar justification ...
Seite 125
... shield ; that famous pic- ture of the shield of Achilles , in respect of which especially , the Greek poet , in ancient times , was regarded as a master of painting . A shield , at any rate , it will be said , is a single material ...
... shield ; that famous pic- ture of the shield of Achilles , in respect of which especially , the Greek poet , in ancient times , was regarded as a master of painting . A shield , at any rate , it will be said , is a single material ...
Andere Ausgaben - Alle anzeigen
Laocoon: An Essay on the Limits of Painting and Poetry, Tr. by E.C. Beasley Gotthold Ephraim Lessing Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
ઃઃ Achilles Æneas Æneid Æsop Agesander ancient artists Apelles appears Athenodorus attributes Bacchus beauty bestowed bodily pain body borrowed Cæsars called Caylus Chabrias CHAPTER contrary disgusting divine drapery effect executed expression eyes feel figure follow fury goddess gods Greek hand Harduin Helen Hercules hero History of Art Homer horrible Ialysus idea Iliad imagination imitation LAMURE Laocoon latter less Lysippus Mars master means ment mentioned merely nature Neoptolemus never Nicias NOTE object Olympiad once Ovid painter painting passage Pausanias Phidias Philoctetes picture piece pleasure Pliny poet poetical poetry Polydorus Polygnotus Polymetis produce Pythodorus quæ reason render representation represented Roman says sculptors sensations serpents shew shield shriek single Sophocles speaking Spence Statius statue suffering supposed taste Thersites tion traits ture ugliness Venus Vesta Virgil visible Vulcan whilst whole Winkelmann wish words δὲ ἐν καὶ μὲν τε τὸ
Beliebte Passagen
Seite 154 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother...
Seite 155 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph...
Seite 232 - Soft were my numbers ; who could take offence While pure Description held the place of sense?
Seite 139 - Bianca nieve è il bel collo, e '1 petto latte; il collo è tondo, il petto colmo e largo: due pome acerbe, e pur d'avorio fatte, vengono e van come onda al primo margo, quando piacevole aura il mar combatte.
Seite 51 - Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Seite 155 - Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Seite 154 - Lag of a brother? Why bastard? Wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? With baseness? bastardy? base, base?
Seite 208 - Sibila lambebant linguis vibrantibus ora. Diffugimus visu exsangues. Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus.
Seite 132 - Tandem progreditur magna stipante caterva, Sidoniam picto chlamydem circumdata limbo. Cui pharetra ex auro, crines nodantur in aurum, aurea purpuream subnectit fibula vestem.
Seite 129 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso.