The Works of William Shakespeare, Band 1Bigelow, Smith & Company, 1909 |
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Ergebnisse 1-5 von 30
Seite 2
... drama in the peninsulas ... seems to have followed from the beginning lines somewhat distinct from those of north - western Europe . ” 4 Most have declared that it was the monks of Cluny who brought the liturgical drama from the ...
... drama in the peninsulas ... seems to have followed from the beginning lines somewhat distinct from those of north - western Europe . ” 4 Most have declared that it was the monks of Cluny who brought the liturgical drama from the ...
Seite 5
... drama, using vernacular language and a dialogue-only script to create a “social problem play” (wentiju), a term he used to describe Ibsen's works. Drama historians in modern China have often commented on the pioneering efforts of the ...
... drama, using vernacular language and a dialogue-only script to create a “social problem play” (wentiju), a term he used to describe Ibsen's works. Drama historians in modern China have often commented on the pioneering efforts of the ...
Seite 6
... drama experience. It is that of the self-spectator, which as far as the teacher is concerned, means that she ... drama, itself, as well as enabling increasingly nuanced dramas to further enhance learning through drama about other things ...
... drama experience. It is that of the self-spectator, which as far as the teacher is concerned, means that she ... drama, itself, as well as enabling increasingly nuanced dramas to further enhance learning through drama about other things ...
Seite 11
... drama can be on any topic. One-act drama must have a climax. All dramas must have easy and common words and language. Drama can be written for reading only. This will be called: A literary drama. When drama is written with the intention ...
... drama can be on any topic. One-act drama must have a climax. All dramas must have easy and common words and language. Drama can be written for reading only. This will be called: A literary drama. When drama is written with the intention ...
Seite 1
... drama.2 It is usually found serving the purposes of periodicity in theatre history , which characterises 1642 to 1660 as a gap between two ' national ' dramas.3 Often in studies of Renaissance and Restoration drama and theatre it ...
... drama.2 It is usually found serving the purposes of periodicity in theatre history , which characterises 1642 to 1660 as a gap between two ' national ' dramas.3 Often in studies of Renaissance and Restoration drama and theatre it ...
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Alarum battle blood brother Burgundy Cade Capell character Chronicles Clar Clarence Clif Clifford Collier conj crown death doth doubt drama dramatist Duke of Gloucester Duke of York Earl Edward emendation England English Enter Exeunt Exit father fear fight France French friends Glou Gloucester grace hand Hanmer hast hath head heart heaven Henry's Holinshed honor house of Lancaster house of York Jack Cade Joan John John Shakespeare King Henry lady latter live London lord Malone Margaret Mortimer never noble passage Plantagenet play poet poet's Pope prince Pucelle quarto Queen Reignier Richard Richard II Richard Plantagenet Salisbury scene Shakespeare shalt slain soldiers Somerset soul speak Stratford-on-Avon Suffolk sword Talbot tell theater thee thine thou art thought tion Titus Andronicus Tower town traitor unto Vaughan Warwick William Shakespeare Winchester words