Characters of Shakespear's PlaysTaylor and Hessey, 1818 - 352 Seiten |
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Seite xvi
... sense be a judge of poetry as it falls with- in the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakespear , who " alone is high fan- tastical . " Let those who have a prejudice ...
... sense be a judge of poetry as it falls with- in the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakespear , who " alone is high fan- tastical . " Let those who have a prejudice ...
Seite xvii
... sense and practical wis- dom , rather than of genius or feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of pas- sion . That is ...
... sense and practical wis- dom , rather than of genius or feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of pas- sion . That is ...
Seite xix
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here re- ferred to . A stately common - place , such as Congreve's description of a ruin in the Mourn ing Bride , would have answered ...
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here re- ferred to . A stately common - place , such as Congreve's description of a ruin in the Mourn ing Bride , would have answered ...
Seite xx
... sense of delight accompanying it by something still more beautiful , and no one can feel this passionate love of nature without quick natural sensibility . To a mere literal and formal apprehension , the inimitably characteristic epi ...
... sense of delight accompanying it by something still more beautiful , and no one can feel this passionate love of nature without quick natural sensibility . To a mere literal and formal apprehension , the inimitably characteristic epi ...
Seite 3
... sense of weak- ness leaning on the strength of its affections for support , so well as Shakespear - no one ever so well painted natural tenderness free from affec- tation and disguise - no one else ever so well shewed how delicacy and ...
... sense of weak- ness leaning on the strength of its affections for support , so well as Shakespear - no one ever so well painted natural tenderness free from affec- tation and disguise - no one else ever so well shewed how delicacy and ...
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Häufige Begriffe und Wortgruppen
admirable affection Antony Apemantus beauty Benedick Biron blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death dost doth DOUBTFUL PLAYS equal eyes Falstaff fear feeling fool forest of Arden friends genius give Gonerill grace Hamlet hath hear heart heaven Henry Hero honour Hubert Hugh Capet human Iago imagination Juliet king lady Lear Leonato live Locrine look lord lover Macbeth maids Malvolio manner mind Mucedorus nature never Othello passages passion Perdita piece pity play poet poetry prince racter Regan Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shake Shakespear shew shewn Shylock sigh sion sleep soul speak spear speech spirit stage story sweet tenderness thee thing thou art thou hast thought Timon tion Titus Andronicus tongue tragedy true truth wild words Yorkshire Tragedy youth
Beliebte Passagen
Seite 18 - Would he were fatter. — But I fear him not. Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men.
Seite 138 - Whose double tongue may with a mortal touch Throw death upon thy sovereign's enemies. — Mock not my senseless conjuration, lords; This earth shall have a feeling, and these stones Prove armed soldiers, ere her native king Shall falter under foul rebellion's arms.
Seite 85 - Romeo: and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
Seite 140 - Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.
Seite 89 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Seite xii - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
Seite 105 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
Seite 185 - By bud of nobler race : this is an art Which does mend nature, change it rather, but The art itself is nature.
Seite 211 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
Seite 195 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...