Speechmaking: Principles and PracticeF. S. Crofts & Company, 1939 - 385 Seiten |
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Seite 60
... DAVID LLOYD GEORGE IN THE CENTRAL HALL , WESTMINSTER Good conversationalists are almost constantly in motion . Study this glimpse of David Lloyd George's conversational manner as caught by the camera . Note that the hand is not alone in ...
... DAVID LLOYD GEORGE IN THE CENTRAL HALL , WESTMINSTER Good conversationalists are almost constantly in motion . Study this glimpse of David Lloyd George's conversational manner as caught by the camera . Note that the hand is not alone in ...
Seite 88
... David Lloyd George ( facing page 60 ) . Roosevelt's is the most directly aimed at the audience , and La Follette's is the least . The gestures appear to be used for distinctly different purposes , Roose- velt's to give emphasis to a ...
... David Lloyd George ( facing page 60 ) . Roosevelt's is the most directly aimed at the audience , and La Follette's is the least . The gestures appear to be used for distinctly different purposes , Roose- velt's to give emphasis to a ...
Seite 170
... David Lloyd George A pleasant voice is largely a matter of quality and pitch . Voice qualities may be divided into pleasant and unpleas- ant ; the more common unpleasant ones are nasality , hol- lowness , hardness , breathiness ...
... David Lloyd George A pleasant voice is largely a matter of quality and pitch . Voice qualities may be divided into pleasant and unpleas- ant ; the more common unpleasant ones are nasality , hol- lowness , hardness , breathiness ...
Inhalt
CHAPTER | 3 |
ATTENTION AND INTEREST | 15 |
THE SPEAKERS MENTAL APPROACH | 30 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action arouse asked audi audience beginning bodily Chapter common conversation course Daniel Webster David Lloyd George delivery desire developed earned the right effective emphasis ence Exercises experience expression extemporaneous eyes fact feeling gesture give hand heard hearers Henry Ward Beecher ideas illustration impelling important inflection interest involuntary Joseph Chamberlain listeners look main heads material means memorized ment mental attitude merely method mind movement muscles nasal natural never nonvoluntary attention Oliver Wendell Holmes outline pharynx Phillips Brooks phrase pitch platform practice preparation pronunciation proposition public speaking purpose question Read the following reason relax response right to speak Rufus Choate Russell H sense of humor sentence soft palate sounds speaker speech stand standard stimulate stroke student talk tell Theodore Roosevelt things thought tion tone vocal voice vowel whole William Jennings Bryan words