eral Havelock was with his men. Excited by the scene, some letter-writers say he exclaimed, "Well done, Seventy-eight! You shall be my own regiment. Another charge like that will win the đay.” INDEX Accent, 77. Esthetic, 29, 131. Alphabetic, 77. Analysis, 38, 83, 140. Aphasia, 35. Associated ideas, 44, 45- Attention, 28, 37, 38, 68, 69. Atmosphere, 45, 48, 141; drill-room, 53. Bain, Alex., 27. Bell, Sir Chas., 117. Bolton, T. L., 107. Earnestness, 50, 62. EMOTIONS, mastery of, 21; growth of, 46; Emphasis, 80. Enunciation, 76, 79. ESSENTIALS OF PUBLIC SPEAKING, 27. Feelings, control of, 58. Feelings, tone of, 59. Force, 28, 31. Fronting the voice, 79, 98. GESTURE, Darwin's principles of, 116; Glottis, stroke of, 98. Habit, 61. Harmony of function, 131. Hartwell, 136. Hill, A. S., 28. Hortatory, 149. Hypnotism, 70. 207 INDEX TO SELECTIONS IN SHAKESPEARE I. Hotspur and Vernon. Henry IV., Part I., Act IV., scene i., II. The Quarrel of Brutus and Cassius. Julius Cæsar, Act IV., III. Hamlet's Reflections over Yorick's Skull. Hamlet, Act. V., IV. Brutus's Oration. Julius Cæsar, Act III., scene ii., lines 12-48. 236. VI. Hamlet to his Mothér. Hamlet, Act III., scene iv., lines 53-88. VIII. Falstaff's Description of the Soldiers. Henry IV., Part I., Act IX. Polonius's Counsel to Laertes. Hamlet, Act I., scene iii., lines 56-82. X. Observation on Music. Merchant of Venice, Act V., scene i., XI. York on Bolingbroke's Reception. King Richard II., Act V., XII. Hotspur to the King. King Henry IV., Part I., Act I., scene XIII. Cordelia's Gratitude to Kent. King Lear, Act IV., scene vii., lines 1-99. XIV. Court Scene. Merchant of Venice, Act IV., scene i., lines XV. The Shepherdess' Welcome. The Winter's Tale, Act IV., XVI. Hamlet's Grief. Hamlet, Act I., scene ii., lines 129-159. 209 |