Richard IIINorthcote House, 2006 - 120 Seiten "Richard III has the status of a monster in British culture, and the continuous popularity of Shakespeare's play has done much to foster this. Deformity and distortion operate through this myth on many levels. This study is an essay in five 'distortions', tracking the way the play manipulates and explores fundamental human concerns: the body, history, theatre, childhood and family and the mirrors and shadows of individual identity and self-knowledge."--BOOK JACKET. |
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Seite 29
... reading Richard's body , and the personal history from larger histories - the familial , the national , the providential - in the reading of that emblem . - He accepts his singularity . His body has begun to make sense to him ; as an ...
... reading Richard's body , and the personal history from larger histories - the familial , the national , the providential - in the reading of that emblem . - He accepts his singularity . His body has begun to make sense to him ; as an ...
Seite 48
... reading for which More's text was designed , creates a public illusion of privacy , in which characters like the ... reader in a complicity with the narrator . When the play puts on stage a group of citizens to comment on events , the ...
... reading for which More's text was designed , creates a public illusion of privacy , in which characters like the ... reader in a complicity with the narrator . When the play puts on stage a group of citizens to comment on events , the ...
Seite 115
... reading of the history plays in relation to both humanist rhetorical traditions and the Catholic tradition of biblical drama . The chapter on Richard III is subtitled ' A Tudor Climax ' , and presents the end of the play as a kind of ...
... reading of the history plays in relation to both humanist rhetorical traditions and the Catholic tradition of biblical drama . The chapter on Richard III is subtitled ' A Tudor Climax ' , and presents the end of the play as a kind of ...
Inhalt
The Body | 18 |
Deformations of History | 38 |
Plays and Players | 54 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor anamorphic Anne Antony Sher audience body Brian Cox brother BUCK Catesby characters child Cibber citizens Clarence's Colley Cibber context court creates death distortion dramatic dream Duchess of York earlier plays edition Edward Edward Burns Elizabeth Elizabeth of York Elizabethan English figure Folio Gallery ghosts Hankey Henry the Sixth Henry VI Henry VI plays History Plays Holbein's Ian Richardson idea innocence instates Jane Shore killing kind King Henry King Richard London look Looking for Richard lord Margaret McKellen/Loncraine film medieval metaphor mirror monster moral More's mother murderers narrative Norman Rodway Old Curiosity Old Curiosity Shop Olivier's performance perhaps physical play's political presents princes psychological Quartos queen reading Renaissance RICH Richard and Buckingham Richard the Third Richard's deformity Richmond Rodway/Hands role scene seems sense sequence sexual shadow Shakespeare Sher's soliloquy stage Stephen Greenblatt story theatre theatrical thou Tillyard Tower twentieth-century visual women