Manual of Elocution: Embracing the Philosophy of Vocalization...J.P. Morton, 1873 - 330 Seiten |
Im Buch
Ergebnisse 1-5 von 18
Seite 6
... INFLECTION - EMPHASIS - CADENCE CHAPTER XIII . · ........ 57 THE CIRCUMFLEX , OR WAVE - EMPHASIS - STRESS AND QUANTITY - RHETOR- ICAL PAUSES ......... .......... 66 CHAPTER XIV . CLIMAX - DEEP BREATHING - AIR - STAMMERING ...
... INFLECTION - EMPHASIS - CADENCE CHAPTER XIII . · ........ 57 THE CIRCUMFLEX , OR WAVE - EMPHASIS - STRESS AND QUANTITY - RHETOR- ICAL PAUSES ......... .......... 66 CHAPTER XIV . CLIMAX - DEEP BREATHING - AIR - STAMMERING ...
Seite 56
... tears of fondly admiring millions , and the proudest epitaph shall be the simple entreaty , " Write me as one who loved his fellow - men . " CHAPTER XII . ACCENT - INFLECTION - EMPHASIS - CADENCE 56 MANUAL OF ELOCUTION .
... tears of fondly admiring millions , and the proudest epitaph shall be the simple entreaty , " Write me as one who loved his fellow - men . " CHAPTER XII . ACCENT - INFLECTION - EMPHASIS - CADENCE 56 MANUAL OF ELOCUTION .
Seite 57
... INFLECTION - EMPHASIS - CADENCE . Accent takes its place in the orthoëpy of words . Inflection gives true expression to words . Emphasis defines their value in a sentence . By accent we divide the sounds in a word into syllables ( so ...
... INFLECTION - EMPHASIS - CADENCE . Accent takes its place in the orthoëpy of words . Inflection gives true expression to words . Emphasis defines their value in a sentence . By accent we divide the sounds in a word into syllables ( so ...
Seite 60
... Inflections embrace the concrete or continuous movements of voice on a single word ; but cadence has reference to the fall or proper closing of sentences . The cadence which is most pleasing to the ear is the fall of a triade , or ...
... Inflections embrace the concrete or continuous movements of voice on a single word ; but cadence has reference to the fall or proper closing of sentences . The cadence which is most pleasing to the ear is the fall of a triade , or ...
Seite 61
... inflections . Inflection and emphasis are closely related ; in many respects they seem to mean so nearly the same thing that it is quite difficult to treat them as separate subjects . We can scarcely give a decided inflection to a word ...
... inflections . Inflection and emphasis are closely related ; in many respects they seem to mean so nearly the same thing that it is quite difficult to treat them as separate subjects . We can scarcely give a decided inflection to a word ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accent arms aspirate Banquo Bardell beauty breath bright brow Burgundy burning bed circumflex dark dear death deep diatonic scale dream earth Echo ELIZA COOK elocution emphasis eternal exercises expression eyes face fall falsetto father fear feel fire flowers give glory glottis grave hand hath hear heard heart heaven Helon Hervé Riel Hezekiah inflection Jerusalem Jews king king of Assyria Lady Macb larynx Lear light lips look Lord loud mind morning mouth muscles never night o'er Othello Phocis Pickwick pitch of voice pray prolonged PSALM Queen rise rose round Shebna ship sing sleep smiled song soul sound speak speech spirit stars stood sweet sword syllables tell Th't thee thine thing thou thought tone tongue unto utter vocal voice-sound vowel vowel-sounds waves Weller wery wind wings words
Beliebte Passagen
Seite 159 - And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail; And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown.
Seite 165 - Moreover by them is thy servant warned: and in keeping of them there is great reward.
Seite 167 - One thing have I desired of the Lord, that will I seek after ; that I may dwell in the house of the Lord all the days of my life, to behold the beauty of the Lord, and to inquire in his temple. For in the time of trouble he shall hide me in his pavilion : in the secret of his tabernacle shall he hide me ; he shall set me up upon a rock.
Seite 224 - And heard, with voice as trumpet loud, Bozzaris cheer his band: — "Strike — till the last armed foe expires; Strike — for your altars and your fires; Strike — for the green graves of your sires, God — and your native land!
Seite 260 - See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury, New-lighted on a heaven-kissing hill; A combination, and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a man : This was your husband.
Seite 109 - A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs?
Seite 310 - Breathes there the man, with soul so dead, Who never to himself hath said, This is my own, my native land ? Whose heart hath ne'er within him burned, As home his footsteps he hath turned, From wandering on a foreign strand ? If such there breathe, go mark him well...
Seite 80 - 11 not shed her blood ; Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster, Yet she must die, else she '11 betray more men. Put out the light, and then put out the light : If I quench thee, thou flaming minister, I can again thy former light restore, Should I...
Seite 134 - And I have loved thee, Ocean! and my joy Of youthful sports was on thy breast to be Borne, like thy bubbles, onward; from a boy I wantoned with thy breakers, — they to me Were a delight; and if the freshening sea Made them a terror, 'twas a pleasing fear; For I was as it were a child of thee, And trusted to thy billows far and near, And laid my hand upon thy mane, — as I do here.
Seite 278 - To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o...