Essays on the Anatomy and Philosophy of ExpressionJ. Murray, 1824 - 218 Seiten |
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Seite 15
... DIRECT INFLUENCE OF THE MIND UPON THE FEATURES . In the human countenance , under the influence of passion , there are characters expressed , and changes of features produced , which it is impossible to explain on the notion of a direct ...
... DIRECT INFLUENCE OF THE MIND UPON THE FEATURES . In the human countenance , under the influence of passion , there are characters expressed , and changes of features produced , which it is impossible to explain on the notion of a direct ...
Seite 20
... of expression precede the mental emotions with which they are to be joined , accompany them in their first dawn , strengthen them , and direct them ; and thus it is not perhaps too much to conclude that the organs of the 20.
... of expression precede the mental emotions with which they are to be joined , accompany them in their first dawn , strengthen them , and direct them ; and thus it is not perhaps too much to conclude that the organs of the 20.
Seite 21
... direct influence on the outward organ . But observe him further : there is a spasm on his breast , he cannot breathe freely , the chest is elevated , the muscles of his neck and shoulders are in action , his breathing is short and rapid ...
... direct influence on the outward organ . But observe him further : there is a spasm on his breast , he cannot breathe freely , the chest is elevated , the muscles of his neck and shoulders are in action , his breathing is short and rapid ...
Seite 22
... direct influence of the mind . However strange it may sound to unaccustomed ears , it is to the heart and lungs , and all the extended instrument of breathing , that we are to trace these effects . Over these motions of the body the ...
... direct influence of the mind . However strange it may sound to unaccustomed ears , it is to the heart and lungs , and all the extended instrument of breathing , that we are to trace these effects . Over these motions of the body the ...
Seite 24
... direct influence of the mind on these muscles of expression . The heart and the lungs may be safely taken as two parts which are combined in the same function . The action of the heart and the motion of the lungs are equally necessary ...
... direct influence of the mind on these muscles of expression . The heart and the lungs may be safely taken as two parts which are combined in the same function . The action of the heart and the motion of the lungs are equally necessary ...
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Häufige Begriffe und Wortgruppen
academy figure action agony Albert Durer anatomy angle antique artist beauty bestowed betwixt bodily body breathing brutes canine teeth carnivorous animals character cheek chest class of muscles combined connexion convulsion corrugator supercilii cranium depression distinct distinguish drawing drawn effect elevated emotions ESSAY excited exertion eyeball eyebrow eyelids facial line fear ferocious fibres fixed fleshy forehead frontal bone give graminivorous animals grief head horse human countenance human expression imitation incisor indicated inflated influence inserted jaw-bone Laocoon laughter limbs lower jaw lungs mastication mind motion mouth muscular nature neck Negro nose nostril observe occipital bone orbicular muscle orbicularis oris Orbicularis Palpebrarum organs of expression pain painter painting pale parietal bones passion peculiar perfect plate PLATYSMA pression principle produce proportion rage raised relaxed represent representation respiration respiratory nerve sensation sensibility sketch skull strong suffering superior sympathy TEMPORAL BONE temporal muscle tendon throat upper lip violent
Beliebte Passagen
Seite 84 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me ; Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then, have I reason to be fond of grief.
Seite 124 - Saying, Let us alone; what have we to do with thee, thou Jesus of Nazareth? art thou come to destroy us? I know thee who thou art, the Holy One of God. 25 And Jesus rebuked him, saying, Hold thy peace, and come out of him.
Seite 111 - Down dropt, and all the faded roses shed : Speechless he stood and pale, till thus at length First to himself he inward silence broke.
Seite 28 - On Parent knees, a naked new-born child Weeping thou sat'st while all around thee smil'd ; So live, that sinking in thy last long sleep, Thou then may'st smile, while all around thee weep.
Seite 157 - ... or it may be compared to pendulums vibrating in different directions over one central point, and as they all cross the centre, though only one passes through any other point, so it will be found that perfect beauty is oftener produced by nature than deformity ; I do not mean than deformity in general, but than any one kind of deformity.
Seite 110 - Disordred hong about his shoulders round, And hid his face; through which his hollow eyne Lookt deadly dull, and stared as astound; His raw-bone cheekes through penurie and pine, Were shronke into his jawes, as he did never dine. His garment nought but many ragged clouts, With thornes together pind and patched was, The which his naked sides he wrapt abouts...
Seite 111 - Dawson says) whose sense* had been numbed with misery. When all was lost, he fixed his eyes upon the ground, and stood some time, with folded arms, stupid, and motionless; then snatching his sword, that hung against the wainscot, he sat him down, and, with a look of fixed attention, drew figures on the floor.
Seite v - BY GEORGE JOSEPH BELL, ESQ., ADVOCATE, PROFESSOR OF THE LAW OF SCOTLAND IN THE UNIVERSITY OF EDINBURGH.
Seite 157 - Every species of the animal as well as the vegetable creation may be said to have a fixed or determinate form, towards which Nature is continually inclining, like various lines terminating in the centre ; or it may be compared to pendulums vibrating in different directions over one central point : and as they all cross the centre, though only one passes through any other point, so it will be found that perfect beauty is oftener produced by Nature than deformity...
Seite 122 - His burning eyen, whom bloody streaks did stain, Stared full wide, and threw forth sparks of fire ; And, more for rank despite than for great pain, Shaked2 his long locks, colour'd like copper wire, And bit his tawny beard to show his raging ire.