John Osborne: Vituperative ArtistRoutledge, 04.02.2014 - 300 Seiten For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter. |
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... Osborne. For Osborne, there are no good brave causes—only people who muddle on in life, who hurt, and often hurt in return. Deeply steeped in personal neurosis, Osborne's work demands the kind of painstaking and loving exegesis an ...
... Osborne. For Osborne, there are no good brave causes—only people who muddle on in life, who hurt, and often hurt in return. Deeply steeped in personal neurosis, Osborne's work demands the kind of painstaking and loving exegesis an ...
Seite vii
... Osborne . For Osborne , there are no good brave causes - only people who muddle on in life , who hurt , and often hurt in return . Deeply steeped in personal neurosis , Osborne's work demands the kind of painstaking and loving exegesis ...
... Osborne . For Osborne , there are no good brave causes - only people who muddle on in life , who hurt , and often hurt in return . Deeply steeped in personal neurosis , Osborne's work demands the kind of painstaking and loving exegesis ...
Seite viii
... Osborne's relationship with critics has been particularly turbulent , I have traced the evolution of his reception by turning to critical reviews at the beginning of each major chapter . Chapters are grouped in three parts to reflect ...
... Osborne's relationship with critics has been particularly turbulent , I have traced the evolution of his reception by turning to critical reviews at the beginning of each major chapter . Chapters are grouped in three parts to reflect ...
Seite x
... Osborne used in this work : Déjàvu , A Patriot for Me , A Sense of Detachment , Watch it Come Down , Inadmissible Evidence , The End of Me Old Cigar , and Epitaph for George Dillon . See " References to Osborne's Works " for edi- tions ...
... Osborne used in this work : Déjàvu , A Patriot for Me , A Sense of Detachment , Watch it Come Down , Inadmissible Evidence , The End of Me Old Cigar , and Epitaph for George Dillon . See " References to Osborne's Works " for edi- tions ...
Seite xi
Vituperative Artist Luc Gilleman. References to Osborne's Works Almost a Gentleman : An Autobiography . Vol II : 1955 ... Osborne and Anthony Creighton . New York : Criterion Books , 1958 . The Father . Strindberg's The Father and Ibsen's ...
Vituperative Artist Luc Gilleman. References to Osborne's Works Almost a Gentleman : An Autobiography . Vol II : 1955 ... Osborne and Anthony Creighton . New York : Criterion Books , 1958 . The Father . Strindberg's The Father and Ibsen's ...
Inhalt
1 | |
Rise to the Top 19561963 | 35 |
Of Bears and Traps | 45 |
5 | 85 |
6 | 109 |
7 | 119 |
Society and the Hidden Self | 141 |
9 | 163 |
The Limits of Authenticity | 177 |
12 | 200 |
A Note on Further Reading | 234 |
Index | 254 |
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John Osborne, Vituperative Artist: A Reading of His Life and Work Luc Maurice Gilleman Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
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