John Osborne: Vituperative ArtistRoutledge, 04.02.2014 - 300 Seiten For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter. |
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Seite 5
... of the late fifties had apparently turned conservative , or at least he displayed the emotional attitudes commonly associated with it . He expressed dismay at the Garrick Club's decision to admit women Osborne's Phallic Art 5.
... of the late fifties had apparently turned conservative , or at least he displayed the emotional attitudes commonly associated with it . He expressed dismay at the Garrick Club's decision to admit women Osborne's Phallic Art 5.
Seite 16
... emotions , and who instead pedantically insist on the rules of good composition or narrow morality , suffer from a form of small - minded- ness.58 Apparently it is not only their minds that are small ; their shortcomings have a physical ...
... emotions , and who instead pedantically insist on the rules of good composition or narrow morality , suffer from a form of small - minded- ness.58 Apparently it is not only their minds that are small ; their shortcomings have a physical ...
Seite 21
... emotion itself . Osborne's answer was not German - style alienation but its opposite , English vitality , to be found in the theatre from Shakespeare to the music hall . Hamlet was , in a strictly critical sense , a flawed play . It was ...
... emotion itself . Osborne's answer was not German - style alienation but its opposite , English vitality , to be found in the theatre from Shakespeare to the music hall . Hamlet was , in a strictly critical sense , a flawed play . It was ...
Seite 31
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Inhalt
1 | |
Rise to the Top 19561963 | 35 |
Of Bears and Traps | 45 |
5 | 85 |
6 | 109 |
7 | 119 |
Society and the Hidden Self | 141 |
9 | 163 |
The Limits of Authenticity | 177 |
12 | 200 |
A Note on Further Reading | 234 |
Index | 254 |
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John Osborne, Vituperative Artist: A Reading of His Life and Work Luc Maurice Gilleman Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
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