John Osborne: Vituperative ArtistRoutledge, 04.02.2014 - 300 Seiten For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter. |
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Seite 6
... speak admiringly of the Afrikaners.24 When he thought political correctness had taken hold of press and education , he loudly con- tested it as " fascist liberalism , " all the while enjoying the endless possibilities of outrage the new ...
... speak admiringly of the Afrikaners.24 When he thought political correctness had taken hold of press and education , he loudly con- tested it as " fascist liberalism , " all the while enjoying the endless possibilities of outrage the new ...
Seite 9
... , Japanese tourists , Australians and Canadians who live in England and speak with the wrong accent , gay and lesbian activists , the European Community , the twenty - first century , the Chunnel , low Osborne's Phallic Art.
... , Japanese tourists , Australians and Canadians who live in England and speak with the wrong accent , gay and lesbian activists , the European Community , the twenty - first century , the Chunnel , low Osborne's Phallic Art.
Seite 14
... speaking of the homosexual Webster , could not put it more clearly - nor more bluntly : " as if I give a damn which way he likes his meat served up " ( I , 36 ) . What irritated Osborne was the current ideological exploitation of ...
... speaking of the homosexual Webster , could not put it more clearly - nor more bluntly : " as if I give a damn which way he likes his meat served up " ( I , 36 ) . What irritated Osborne was the current ideological exploitation of ...
Seite 23
... speak for it . Bias is not then what art sometimes fails to escape ; it is its very essence . If Osborne comes across as " prejudiced ” in a number of ways ( homophobic , xenophobic , misogynist , racist , etc. ) , it is because he has ...
... speak for it . Bias is not then what art sometimes fails to escape ; it is its very essence . If Osborne comes across as " prejudiced ” in a number of ways ( homophobic , xenophobic , misogynist , racist , etc. ) , it is because he has ...
Seite 33
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Inhalt
1 | |
Rise to the Top 19561963 | 35 |
Of Bears and Traps | 45 |
5 | 85 |
6 | 109 |
7 | 119 |
Society and the Hidden Self | 141 |
9 | 163 |
The Limits of Authenticity | 177 |
12 | 200 |
A Note on Further Reading | 234 |
Index | 254 |
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John Osborne, Vituperative Artist: A Reading of His Life and Work Luc Maurice Gilleman Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
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