Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 43
Seite 3
... critical edition of Volume I ( 1947 ) ( Paris : Armand Colin , 1970 ) . More recently , with Jacques Le Goff , he co - edited Faire de l'histoire , ( Paris : Gallimard , 1974 ) . Mr. Nora's articles appear regularly in the pages of ...
... critical edition of Volume I ( 1947 ) ( Paris : Armand Colin , 1970 ) . More recently , with Jacques Le Goff , he co - edited Faire de l'histoire , ( Paris : Gallimard , 1974 ) . Mr. Nora's articles appear regularly in the pages of ...
Seite 96
... critical object in symmetrical and binary paradigms ) . Both these characteristics of critical theory and practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the ...
... critical object in symmetrical and binary paradigms ) . Both these characteristics of critical theory and practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the ...
Seite 47
... critical component of their work , but in reveal- ing the historically determined ideology of textuality . Since this work requires a re - contextualizing of the cultural text , the defa- miliarizing conventions of science fiction are ...
... critical component of their work , but in reveal- ing the historically determined ideology of textuality . Since this work requires a re - contextualizing of the cultural text , the defa- miliarizing conventions of science fiction are ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing