Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 44
Seite 32
... narrator in the film ? And , what is the effect of the narration upon the viewer ? While Roswitha is not a properly constituted character in the realist sense of character unity and psychological motivation , she is nevertheless a ...
... narrator in the film ? And , what is the effect of the narration upon the viewer ? While Roswitha is not a properly constituted character in the realist sense of character unity and psychological motivation , she is nevertheless a ...
Seite 33
... narrator's omnisci- ence undercuts the protagonist's power . The effect is even more decisive later in the film , when Kluge frames Roswitha's investigative efforts with a damning title , " Under pressure from the work - force and the ...
... narrator's omnisci- ence undercuts the protagonist's power . The effect is even more decisive later in the film , when Kluge frames Roswitha's investigative efforts with a damning title , " Under pressure from the work - force and the ...
Seite 18
... narrator against the text metamorphoses into a violence of the text against the narrator . This violence emerges primarily as a kind of counter- terror of narrative conventions , while at the same time remind- ing us of the immutable ...
... narrator against the text metamorphoses into a violence of the text against the narrator . This violence emerges primarily as a kind of counter- terror of narrative conventions , while at the same time remind- ing us of the immutable ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing