The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31.12.1949 - 802 Seiten A reissue in paperback of a title first published in 1949. |
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Seite x
... English Bards and Grecian Marbles ; E. E. Neff's The Poetry of History ; and G. N. Shuster's The English Ode from Milton to Keats ; J. M. Dent & Sons , London , from the Everyman's Library editions of Gibbon's Decline and Fall of the ...
... English Bards and Grecian Marbles ; E. E. Neff's The Poetry of History ; and G. N. Shuster's The English Ode from Milton to Keats ; J. M. Dent & Sons , London , from the Everyman's Library editions of Gibbon's Decline and Fall of the ...
Seite xi
... English Poetry ( Harvard Studies in English 18 ) ; Harcourt , Brace & Co. , Inc. , New York , from Lytton Strachey's Books and Characters ; William Heinemann Ltd. , London , from E. Gosse's Father and Son ; Henry Holt & Co. Inc. , New ...
... English Poetry ( Harvard Studies in English 18 ) ; Harcourt , Brace & Co. , Inc. , New York , from Lytton Strachey's Books and Characters ; William Heinemann Ltd. , London , from E. Gosse's Father and Son ; Henry Holt & Co. Inc. , New ...
Seite xiv
... ENGLISH LITERATURE English literature the most considerable in the Dark Ages Anglo - Saxon poetry Secular poetry · Beowulf and Homer the conflict the world . the poetry : classical and Christian influence Epic poetry and the fall of the ...
... ENGLISH LITERATURE English literature the most considerable in the Dark Ages Anglo - Saxon poetry Secular poetry · Beowulf and Homer the conflict the world . the poetry : classical and Christian influence Epic poetry and the fall of the ...
Seite xvii
... English literature re - enters the current of European literature Chaucer's works inspired by French and Italian originals Chaucer's knowledge of the classics Mistakes and mystifications ' Lollius ' ' tragedy ' Authors whom he knew ...
... English literature re - enters the current of European literature Chaucer's works inspired by French and Italian originals Chaucer's knowledge of the classics Mistakes and mystifications ' Lollius ' ' tragedy ' Authors whom he knew ...
Seite 18
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Inhalt
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
708 | |
709 | |
710 | |
712 | |
713 | |
714 | |
717 | |
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Häufige Begriffe und Wortgruppen
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Beliebte Passagen
Seite iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.