The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31.12.1949 - 802 Seiten A reissue in paperback of a title first published in 1949. |
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Seite xv
... classical knowledge ' Dares ' The Romance of Troy and its sources his purposes his methods ' Dictys ' . Why these ... Classical influences on its form dream battle dialogue · • didactic tone shapelessness illustrative examples arguments ...
... classical knowledge ' Dares ' The Romance of Troy and its sources his purposes his methods ' Dictys ' . Why these ... Classical influences on its form dream battle dialogue · • didactic tone shapelessness illustrative examples arguments ...
Seite xvi
... classical writers from whom Dante drew CHAPTER 5. TOWARDS THE RENAISSANCE : PETRARCH , BOCCACCIO , CHAUCER 81-103 The rebirth of Greco - Roman civilization began in Italy , where it died latest • Its two initiators were Italians with ...
... classical writers from whom Dante drew CHAPTER 5. TOWARDS THE RENAISSANCE : PETRARCH , BOCCACCIO , CHAUCER 81-103 The rebirth of Greco - Roman civilization began in Italy , where it died latest • Its two initiators were Italians with ...
Seite xxi
... classical education His career and retirement 185-93 • 185 186 · · • 187 His Essays 187 His reading • 187 principles governing it • his favourite authors · 187 • 188 complete list of authors he knew His use of his reading · Methods of ...
... classical education His career and retirement 185-93 • 185 186 · · • 187 His Essays 187 His reading • 187 principles governing it • his favourite authors · 187 • 188 complete list of authors he knew His use of his reading · Methods of ...
Seite xxii
... Classical influence on modern lyric poetry is limited to elaborate and reflective poems The classical models for modern lyrics Pindar . life poems difficulties in understanding them structure . thought Horace poetry and models contrast ...
... Classical influence on modern lyric poetry is limited to elaborate and reflective poems The classical models for modern lyrics Pindar . life poems difficulties in understanding them structure . thought Horace poetry and models contrast ...
Seite xxv
... Classical influences on their work · 291 themes 291 forms · 291 moral and aesthetic restraint 291 its exaggeration in classicism · 292 spiritual unity of the western world • 292 CHAPTER 16. BAROQUE TRAGEDY Classical and anti - classical ...
... Classical influences on their work · 291 themes 291 forms · 291 moral and aesthetic restraint 291 its exaggeration in classicism · 292 spiritual unity of the western world • 292 CHAPTER 16. BAROQUE TRAGEDY Classical and anti - classical ...
Inhalt
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
708 | |
709 | |
710 | |
712 | |
713 | |
714 | |
717 | |
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726 | |
727 | |
729 | |
733 | |
734 | |
737 | |
738 | |
739 | |
740 | |
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757 | |
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Häufige Begriffe und Wortgruppen
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Beliebte Passagen
Seite iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.