The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31.12.1949 - 802 Seiten A reissue in paperback of a title first published in 1949. |
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Seite xxviii
... ideals were vital . Why is it sometimes called ' anti - classical ' ? The revolutionary age abandoned hackneyed and unimagina- tive classical allusions It rejected certain classical ideals It opened up new fields of thought and ...
... ideals were vital . Why is it sometimes called ' anti - classical ' ? The revolutionary age abandoned hackneyed and unimagina- tive classical allusions It rejected certain classical ideals It opened up new fields of thought and ...
Seite xxix
... ideals of the baroque age in literature stir her The German Renaissance began in the mid - eighteenth century Winckelmann His English predecessors His History of Art among the Ancients Lessing Laocoon 365 365 · 366 366 367-90 367 • 368 ...
... ideals of the baroque age in literature stir her The German Renaissance began in the mid - eighteenth century Winckelmann His English predecessors His History of Art among the Ancients Lessing Laocoon 365 365 · 366 366 367-90 367 • 368 ...
Seite xxx
... ideals Keats compared to Shakespeare • • 415 · 415 How he got his classical knowledge · 415 Latin books ; translations ; dictionaries ; other authors the Elgin Marbles and Greek vases 415 416 The gaps in his knowledge as they affected ...
... ideals Keats compared to Shakespeare • • 415 · 415 How he got his classical knowledge · 415 Latin books ; translations ; dictionaries ; other authors the Elgin Marbles and Greek vases 415 416 The gaps in his knowledge as they affected ...
Seite xxxii
... ideals emotional control 439-53 440 • • Poe Arnold Leconte de Lisle and others severity of form Heredia Carducci . 440 441 44I 442 · 442 443 Gautier art for art's sake origin of the doctrine . its dangers · 443 443 444 445 Huysmans ...
... ideals emotional control 439-53 440 • • Poe Arnold Leconte de Lisle and others severity of form Heredia Carducci . 440 441 44I 442 · 442 443 Gautier art for art's sake origin of the doctrine . its dangers · 443 443 444 445 Huysmans ...
Seite xxxvi
... ideals of humanism history and political ideals the psychological meaning of the myths 544 • 544 · 544 545 · 545 · 546 · 546 · 546 · 546 · Christianity v . Greco - Roman paganism Materialism v . thought and art Civilization is not the ...
... ideals of humanism history and political ideals the psychological meaning of the myths 544 • 544 · 544 545 · 545 · 546 · 546 · 546 · 546 · Christianity v . Greco - Roman paganism Materialism v . thought and art Civilization is not the ...
Inhalt
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
708 | |
709 | |
710 | |
712 | |
713 | |
714 | |
717 | |
719 | |
721 | |
723 | |
725 | |
726 | |
727 | |
729 | |
733 | |
734 | |
737 | |
738 | |
739 | |
740 | |
745 | |
750 | |
751 | |
752 | |
753 | |
757 | |
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Häufige Begriffe und Wortgruppen
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Beliebte Passagen
Seite iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.