The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31.12.1949 - 802 Seiten A reissue in paperback of a title first published in 1949. |
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Seite viii
... subject . At least a volume as large as this would be needed . However , I have mentioned in the notes a considerable number of books which I have found useful ; and I have added a short bibliography of the most recent general surveys ...
... subject . At least a volume as large as this would be needed . However , I have mentioned in the notes a considerable number of books which I have found useful ; and I have added a short bibliography of the most recent general surveys ...
Seite xix
... Subjects Structure Supernatural elements in contemporary epics in chivalrous epics in Christian epics The noble background continuity of history comparisons of heroic deeds nature scenery Adaptations of classical episodes evocations of ...
... Subjects Structure Supernatural elements in contemporary epics in chivalrous epics in Christian epics The noble background continuity of history comparisons of heroic deeds nature scenery Adaptations of classical episodes evocations of ...
Seite xxi
... subjects : contemporary Europe , British history , classical myth and history 194 · English , Italian , and Greco - Roman elements in his characters and their speech 195 His neglect of medieval thought 196 His knowledge of Rome and his ...
... subjects : contemporary Europe , British history , classical myth and history 194 · English , Italian , and Greco - Roman elements in his characters and their speech 195 His neglect of medieval thought 196 His knowledge of Rome and his ...
Seite xxii
... of the Pléiade its principles · 219 219 · 220 221-9 · 221 · 221 · 221 • 222 • 222 · 224 • 225 · 225 • 226 • 227 • 228 229 229 229-30 • 230 230-44 231 231 231 232 subjects Chiabrera his ' invention ' of the ode his xxii CONTENTS.
... of the Pléiade its principles · 219 219 · 220 221-9 · 221 · 221 · 221 • 222 • 222 · 224 • 225 · 225 • 226 • 227 • 228 229 229 229-30 • 230 230-44 231 231 231 232 subjects Chiabrera his ' invention ' of the ode his xxii CONTENTS.
Seite xxiii
... subjects and style The ode in English Southern Milton 232 • 233 · 233 233 · 234 235 · 235 • 235 235 236 · 236 · 237 • 237 Jonson • 238 Definition of the modern ode · • 239 Cowley · Musical odes Ceremonial odes · 239 · 240 242 Horace ...
... subjects and style The ode in English Southern Milton 232 • 233 · 233 233 · 234 235 · 235 • 235 235 236 · 236 · 237 • 237 Jonson • 238 Definition of the modern ode · • 239 Cowley · Musical odes Ceremonial odes · 239 · 240 242 Horace ...
Inhalt
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
708 | |
709 | |
710 | |
712 | |
713 | |
714 | |
717 | |
719 | |
721 | |
723 | |
725 | |
726 | |
727 | |
729 | |
733 | |
734 | |
737 | |
738 | |
739 | |
740 | |
745 | |
750 | |
751 | |
752 | |
753 | |
757 | |
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Häufige Begriffe und Wortgruppen
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Beliebte Passagen
Seite iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.