Shakespeare and the Nature of Love: Literature, Culture, EvolutionNorthwestern University Press, 2007 - 245 Seiten The best conception of love, Marcus Nordlund contends, and hence the best framework for its literary analysis, must be a fusion of evolutionary, cultural, and historical explanation. It is within just such a bio-cultural nexus that Nordlund explores Shakespeare’s treatment of different forms of love. His approach leads to a valuable new perspective on Shakespearean love and, more broadly, on the interaction between our common humanity and our historical contingency as they are reflected, recast, transformed, or even suppressed in literary works. After addressing critical issues about love, biology, and culture raised by his method, Nordlund considers four specific forms of love in seven of Shakespeare’s plays. Examining the vicissitudes of parental love in Titus Andronicus and Coriolanus, he argues that Shakespeare makes a sustained inquiry into the impact of culture and society upon the natural human affections. King Lear offers insight into the conflicted relationship between love and duty. In two problem plays about romantic love, Troilus and Cressida and All’s Well that Ends Well, the tension between individual idiosyncrasies and social consensus becomes especially salient. And finally, in Othello and The Winter’s Tale, Nordlund asks what Shakespeare can tell us about the dark avatar of jealousy. |
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... Shakespeare's works lacks sense . . . . I have again read the whole of Shakespeare ... and have experienced the same feeling still more strongly , no longer with perplexity but with a firm indubitable conviction that the undisputed fame ...
... Shakespeare's works lacks sense . . . . I have again read the whole of Shakespeare ... and have experienced the same feeling still more strongly , no longer with perplexity but with a firm indubitable conviction that the undisputed fame ...
Seite 200
... Shakespeare does not mirror human nature so much as his readers mirror their own private convictions in his plays . But as a respected friend and colleague of mine put it once , the prin- cipal objective of Shakespeare criticism cannot ...
... Shakespeare does not mirror human nature so much as his readers mirror their own private convictions in his plays . But as a respected friend and colleague of mine put it once , the prin- cipal objective of Shakespeare criticism cannot ...
Seite 236
... Shakespeare Studies , 2005 : A Situated Overview . " Shakespeare 1 , no . 1 ( 2005 ) : 102–20 . Grene , Nicholas . Shakespeare's Tragic Imagination . London : Macmillan , 1992 . Griffiths , Paul E. What Emotions Really Are : The Problem ...
... Shakespeare Studies , 2005 : A Situated Overview . " Shakespeare 1 , no . 1 ( 2005 ) : 102–20 . Grene , Nicholas . Shakespeare's Tragic Imagination . London : Macmillan , 1992 . Griffiths , Paul E. What Emotions Really Are : The Problem ...
Inhalt
Chapter | 6 |
The Nature of Love | 17 |
Chapter 2 | 52 |
Urheberrecht | |
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Shakespeare and the Nature of Love: Literature, Culture, Evolution Marcus Nordlund Eingeschränkte Leseprobe - 2007 |
Häufige Begriffe und Wortgruppen
All's Anatomy of Melancholy argued argument become behavior Bertram biocultural biological brain Cambridge chapter characters child cognitive concept conflict Coppélia Cordelia Coriolanus courtly love critics cultural Darwin daughter defined Desdemona desire discussion dispositions distinction dramatic duty Edmund emotional English Essays Evolution evolutionary evolutionary psychology evolved example expect experience explanation father feelings female gender genetic Gloucester Goneril Helena historical honor human nature idea ideal ideological individual involves jealousy King Lear Lear's least Leontes literary literature love test male marriage means mind moral mother normative nurturing offspring Othello Oxford parental investment parental love passion person perspective political Polixenes problem psychological question reading reason relationship Renaissance romantic love scene seems sense sexual sexual selection Shakespeare Shakespeare's play social specific Sternberg suggests theoretical theory thing tion Titus Andronicus Troilus and Cressida turn University Press Volumnia Winter's Tale women words