Shakespeare's Scholar: Being Historical and Critical Studies of His Text, Characters, and Commentators, with an Examination of Mr. Collier's Folio of 1632D. Appleton, 1854 - 504 Seiten |
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Seite xxxii
... Collier's Folio of 1632 Richard Grant White. knowledge of the inferior literature of Shakespeare's day can be , and has been , used with great effect upon the pretensions of that volume . I will here , by way of illustration , and ...
... Collier's Folio of 1632 Richard Grant White. knowledge of the inferior literature of Shakespeare's day can be , and has been , used with great effect upon the pretensions of that volume . I will here , by way of illustration , and ...
Seite xxxiii
... Collier's Folio of 1632 Richard Grant White. " top of the table , where her wrie little finger be- " wraies carving ; her neighbors at the latter end " know they are welcome , and for that purpose she quencheth her thirst . " Sig . E. 3 ...
... Collier's Folio of 1632 Richard Grant White. " top of the table , where her wrie little finger be- " wraies carving ; her neighbors at the latter end " know they are welcome , and for that purpose she quencheth her thirst . " Sig . E. 3 ...
Seite xli
... Collier - Mr . Verplanck , MR . COLLIER'S FOLIO OF 1632 , ITS CLAIMS TO DEFERENCE , CHARACTER OF ITS CHANGES - Turns Poetry to Prose— “ Whose Mother was her Painting " -Dramatic Inconsistency - Dis- regard of the Context - Date of its ...
... Collier - Mr . Verplanck , MR . COLLIER'S FOLIO OF 1632 , ITS CLAIMS TO DEFERENCE , CHARACTER OF ITS CHANGES - Turns Poetry to Prose— “ Whose Mother was her Painting " -Dramatic Inconsistency - Dis- regard of the Context - Date of its ...
Seite 8
... Collier's Folio of 1632 Richard Grant White. tury there was no verbal criticism upon his text ; but his style and matter , and the construction of his plays , were made the subjects of incidental comment and discussion by Mr. Thomas ...
... Collier's Folio of 1632 Richard Grant White. tury there was no verbal criticism upon his text ; but his style and matter , and the construction of his plays , were made the subjects of incidental comment and discussion by Mr. Thomas ...
Seite 29
... Collier's Folio of 1632 Richard Grant White. of criticism upon them , and the well - known fact that there were still many departures in those editions from the ori- ginal folio , which , at least , might be needless , created a demand ...
... Collier's Folio of 1632 Richard Grant White. of criticism upon them , and the well - known fact that there were still many departures in those editions from the ori- ginal folio , which , at least , might be needless , created a demand ...
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Angelo appears authority Banquo beauty better Blackwood's Magazine called character Claudio Collier's folio commentators conjecture copy Coriolanus correction corrector criticism Cymbeline Desdemona doth dramatic Duke Duke of Austria Dyce edition editors emendations evidently eyes Falstaff fool gives Hamlet hath heart heaven Iago Imogen instance Isab Isabella Jaques Johnson Juliet King King of Hungary Knight labors lady learned Macbeth Malone manuscript means Measure for Measure Midsummer Night's Dream misprint nature never obvious original folio original text Othello passage phrase plausible play poet poetry Pope printed proposed quarto readers remarks reply Richard III Romeo Rosalind says SCENE seems sense Shake Shakespeare wrote Shakespeare's day Shakespeare's text Shakesperian Singer soliloquy song speak speech stage stands stanza Steevens strange suggested supposed sweet tell text of Shakespeare thee Theseus thou thought tion Titania typographical error Variorum volume Warburton woman word written
Beliebte Passagen
Seite 120 - That to the observer doth thy history Fully unfold. Thyself and thy belongings 30 Are not thine own so proper as to waste Thyself upon thy virtues, they on thee. Heaven doth with us as we with torches do, Not light them for themselves; for if our virtues Did not go forth of us, 'twere all alike As if we had them not.
Seite 217 - The lunatic, the lover, and the poet Are of Imagination all compact. One sees more devils than vast hell can hold; That is, the madman. The lover, all as frantic, Sees Helen's beauty in a brow of Egypt. The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as Imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name.
Seite 115 - Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say, This thing's to do ; Sith I have cause and will and strength and means To do't.
Seite 36 - We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: This even-handed justice Commends the ingredients of our poison'd chalice To our own lips.
Seite 217 - Lovers, and madmen, have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover, and the poet, Are of imagination all compact. One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt...
Seite 47 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly; These, indeed, seem, For they are actions that a man might play; But I have that within which...
Seite 46 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial Death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour?
Seite 148 - I'll speak all They say, best men are moulded out of faults ; And, for the most, become much more the better For being a little bad : so may my husband.
Seite 254 - Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou com'st in such a questionable shape, That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane, O, answer me!
Seite 340 - The heavens themselves, the planets, and this centre, Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...