Considering Aaron Sorkin: Essays on the Politics, Poetics and Sleight of Hand in the Films and Television SeriesAaron Sorkin is one of the most notable voices in Hollywood, attracting millions of weekly viewers with his television series The West Wing and scoring box office success with films like A Few Good Men and The American President. With a musician's sense of rhythm and writing skills honed in the theater, Sorkin crafts dialogue that brings characters to life. His crisp, tight language is both exciting to listen to and poetic in its beauty and power--but what lies behind the slick, sophisticated exchanges between Sorkin's characters? Does Sorkin's ability to captivate viewers with rapid-fire, humorous dialogue lull them into overlooking an inherent political agenda, a sense of elitism, and gender bias prominent throughout his work? Aaron Sorkin's skill as a writer garners him accolades, even from his critics: complex, nuanced, sometimes subtle but often forceful, Sorkin's work is best understood when viewed from a variety of perspectives. This collection of essays on the work of Aaron Sorkin affords greater insight into the complexities of his writing, drawing connections between the film and television output of today's most prominent and influential screenwriter. Scholars from various fields--film, literature, art history, political science, and more--examine the thematic content and rhetorical strategy of Sorkin's writing. Eleven essayists explore the subtle, pervasive and often contradictory messages woven throughout Sorkin's work, from politics to portrayals of women, and consider his impact on film, television and culture. An interview with Aaron Sorkin precedes the essays, each of which has notes and a bibliography. An appendix covering film and television credits is included. Instructors considering this book for use in a course may request an examination copy here. |
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Inhalt
Introduction | 1 |
1 An Interview with Aaron Sorkin Thomas Fahy | 11 |
Malice Robert F Gross | 19 |
Narratives of the Feminine Body in Malice Susann Cokal | 37 |
The Liberal Education of Sports Night Thomas Fahy | 61 |
The Unconscious Speaks in Sports Night Douglas Keesey | 77 |
Brilliant Women Put to Poor Use Kirstin Ringelberg | 91 |
Only A Few Good Men Need Apply Fiona Mills | 101 |
Sorkins Liberal Vision Spencer Downing | 127 |
Duty Power and The West Wing Nathan A Paxton | 147 |
Gender Stereotypes in the Political Fiction Laura K Garrett | 179 |
A View from the Cheap Seats John Nein | 193 |
Sorkins Works for Film and Television | 211 |
About the Contributors | 219 |
221 | |
The West Wing Ann C Hall | 115 |
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Häufige Begriffe und Wortgruppen
Aaron Sorkin Alex Graves American President Andy Andy’s asks audience Bill C.J. Cregg Casey Casey’s Christopher Misiano Code create Cregg Dan’s Dana Dana’s Danny Danny’s Dee Dee Myers di›erent di‡cult duty e›ect e›ort episode female characters fictional film noir film’s gender going gonna Gordon Hillary Clinton Hollywood Hoynes idealism Isaac Jed’s Jeremy Jessep Jo’s Josh Josh Lyman Ka›ee Kennsinger Kevin Falls lady liberal male Malice Mannerist masculine military Moore’s moral movie narrative Natalie O’Connor o›ers o‡ce o‡cer o‡cial Paul Redford play plot political president’s press secretary propaganda Robert Berlinger role Rollins and John says scene scripts season sense sexual show’s social Sports Night sta›ers story Syracuse Teleplay Television Drama tells thing Thomas Schlamme tion Toby Tracy Tracy’s body truth viewers West Wing White House Wing’s woman women writing