Psychology: The Motive Powers, Emotions, Conscience, Will

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C. Scribner's sons, 1887 - 267 Seiten
"In this volume, I unfold the characteristics of the motive powers, as they are called the orective, the appetent, the impulsive powers; the feelings, the sentiments, the affections, the heart, as distinguished from the Gnostic, the cognitive, the intellect, the understanding, the reason, the head. These motive powers fall under three heads: the emotions, the conscience, the will. It is not to be understood that these are unconnected with each other, or with the cognitive; emotions contain an idea which is cognitive. The conscience may be regarded as combining characteristics of each of the two grand classes; being cognitive as discerning good and evil, and motive as leading to action; the will has to use the other powers as going on to action. Emotion occupies more room than the other two in this treatise, inasmuch as its operations are more varied, and as the account usually given of it (so it appears to me) is more defective"--Introduction. (PsycINFO Database Record (c) 2010 APA, all rights reserved).
 

Inhalt

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IV
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VIII
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X
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XVIII
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XIX
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XXI
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XXIII
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Seite 151 - Sweet bird ! thy bower is ever green, Thy sky is ever clear ; Thou hast no sorrow in thy song, No winter in thy year...
Seite 102 - Disguise fair nature with hard-favour'd rage; Then lend the eye a terrible aspect; Let it pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean.
Seite 145 - Thou crownest the year with thy goodness ; and thy paths drop fatness. They drop upon the pastures of the wilderness: and the little hills rejoice on every side. The pastures are clothed with flocks ; the valleys also are covered over with corn; they shout for joy, they also sing.
Seite 122 - The frightened man at first stands like a statue motionless and breathless, or crouches down as if instinctively to escape observation. The heart beats quickly and violently, so that it palpitates or knocks against the ribs; but it is very doubtful...
Seite 124 - she never told her love, but let concealment, like a worm in the bud, feed on her damask cheek. She pined in thought, and with a green and yellow melancholy, she sat like Patience on a monument, smiling at Grief.
Seite 123 - This exudation is all the more remarkable, as the surface is then cold, and hence the term a cold sweat ; whereas, the sudorific glands are properly excited into action when the surface is heated. The hairs also on the skin stand erect ; and the superficial muscles shiver. In connection with the disturbed action of the heart, the breathing is hurried. The salivary glands act imperfectly; the mouth becomes dry, and is often opened and shut.
Seite 113 - Shewing his nature in his countenance; His rolling eyes did never rest in place, But walked each where, for fear of hid mischance, Holding a lattice still before his face, Through which he still did peep, as forward he did pace.
Seite 158 - But first it may be demanded, what the thing we speak of is, or what this facetiousness doth import ; to which question I might reply, as Democritus did to him that asked the definition of a man — 'tis that which we all see and know ; and one better apprehends what it is by acquaintance, than I can inform him by description.
Seite 158 - Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale : sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound...
Seite 105 - Persons suffering from excessive grief often seek relief by violent and almost frantic movements, as described in a former chapter; but when their suffering is somewhat mitigated, yet prolonged, they no longer wish for action, but remain motionless and passive, or may occasionally rock themselves to and fro. The circulation becomes languid ; the face pale ; the muscles flaccid ; the eyelids droop; the head hangs on the contracted chest ; the lips, cheeks, and lower jaw all sink downwards from their...

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