My worthy arch and patron, comes to-night; Edm. When I dissuaded him from his intent, Strong and fastened villain ; Would he deny his letter?-I never got him. [Trumpets within. Hark, the duke's trumpets! I know not why he comes.All ports I'll bar; the villain shall not 'scape; The duke must grant me that. Besides, his picture I will send far and near, that all the kingdom May have due note of him; and of my land, Loyal and natural boy, I'll work the means To make thee capable. 1 i. e. chief ; now only used in composition. 2 “ And found him pight to do it, with curst speech.” Pight is pitched, fired, settled; curst is vehemently angry, bitter. 3 i. e. would any opinion that men have reposed in thy trust, virtue, &c. The old quarto reads, “could the reposure." 4 i. e, my hand-writing, my signature. 5 The folio reads, “ potential spirits." And in the next line but one, “O strange and fastened villain.”-Strong is determined, resolute. Our ancestors often used it in an ill sense; as strong thief, strong whore, &c. 6 i. e. capable of succeeding to my land, notwithstanding the legal bar of thy illegitimacy. Enter Cornwall, Regan, and Attendants. Corn. How now, my noble friend ? since I came bither (Which I can call but now) I have heard strange news. Reg. If it be true, all vengeance comes too short, Which can pursue the offender. How dost, my lord ? Glo. O madam, my old heart is cracked, is cracked ! Reg. What, did my father's godson seek your life? He whom my father named ? your Edgar ? Glo. O lady, lady, shame would have it hid ! Reg. Was he not companion with the riotous knights I know not, madam; Yes, madam, he was. Corn. Nor I, assure thee, Regan.- 'Twas my duty, sir. Corn. Is he pursued ? Ay, my good lord, he is. 16 Bewray his practice." That is, he did betray or reveal his treacherous devices. The quartos read betray. I shall serve you, sir, Truly, however else. | Glo. For him I thank your grace. Corn. You know not why we came to visit you, Reg. Thus out of season ; threading dark-eyed night. Occasions, noble Gloster, of some poize,' Wherein we must have use of your advice :Our father he hath writ, so hath our sister, Of differences, which I best thought it fit To answer from our home ; 2 the several messengers From hence attend despatch. Our good old friend, Lay comforts to your bosom ; and bestow Your needful counsel to our business, Which craves the instant use. Glo. I serve you, madam; Your graces are right welcome. [Exeunt. SCENE II. Before Gloster's Castle. Enter Kent and Steward, severally. Stew. Good dawning 3 to thee, friend. Art of the house? Kent. Ay. Kent. If I had thee in Lipsbury pinfold," I would make thee care for me. Stew. Why dost thou use me thus? I know thee not. Kent. Fellow, I know thee. 1 i. e. of some weight, or moment. The folio and quarto B. read prize. 2 That is, not at home, but at some other place." 3 The quartos read “ good zven.” It is clear, from various passages in this scene, that the morning is just beginning to dawn. 4 i. e. Lipsbury pound." Lipsbury pinfold” may, perhaps, like Lob's pound, be a coined name; but with what allusion does not appear. Stew. What dost thou know me for ? Kent. A knave, a rascal, an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundredpound, filthy worsted-stocking knave; a lily-livered, action-taking knave; a whoreson, glass-gazing, superserviceable, finical rogue; one-trunk-inheriting slave ; one that wouldst be a bawd, in way of good-service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel bitch ; one whom I will beat into clamorous whining, if thou deniest the least syllable of thy addition." Stew. Why, what a monstrous fellow art thou, thus to rail on one that is neither known of thee, nor knows thee! Kent. What a brazen-faced varlet art thou, to deny thou knowest me! Is it two days ago, since I tripped up thy heels, and beat thee, before the king ? Draw, you rogue; for, though it be night, the moon shines ; I'll make a sop o' the moonshine 2 of you. Draw, you whoreson cullionly barber-monger,draw. . [Drawing his sword. Stew. Away; I have nothing to do with thee. Kent. Draw, you rascal! you come with letters against the king; and take Vanity 4 the puppet's part, against the royalty of her father. Draw, you rogue, or I'll so carbonado your shanks.-Draw, you rascal; come your ways. Stew. Help, ho! murder! help! Kent. Strike, you slave; stand, rogue, stand; you neat slave, strike. [Beating him. Stew. Help, ho! murder! murder! 1 i. e. thy titles. 4 Alluding to the moralities or allegorical shows, in which Vanity, Iniquity, and other vices, were personified. 6 You finical rascal, you assemblage of foppery and poverty. Enter Edmund, Cornwall, Regan, GLOSTER, and Servants. Kent. With you goodman boy, if you please ; come, I'll flesh you ; come on, young master. Glo. Weapons! arms! What's the matter here? Corn. Keep peace, upon your lives; Reg. The messengers from our sister and the king. Kent. No marvel, you have so bestirred your valor. You cowardly rascal, nature disclaims in thee; a tailor made thee. Corn. Thou art a strange fellow; a tailor make a man? Kent. Ay, a tailor, sir; a stone-cutter, or a painter, could not have made him so ill, though they had been but two hours at the trade. Corn. Speak yet, how grew your quarrel ? spared, Kent. Thou whoreson zed !? thou unnecessary letter !-My lord, if you will give me leave, I will tread this unbolted 3 villain into mortar, and daub the wall of a jakes with him.—Spare my gray beard, you wagtail ? Corn. Peace, sirrah! Kent. Yes, sir ; but anger has a privilege. 1 To disclaim in, for to disclaim simply, was the phraseology of the Poet's age. See Gifford's Ben Jonson, vol. iii. p. 264. 2 Zed is here used as a term of contempt, because it is the last letter in the English alphabet. Baret omits it in his Alvearie, affirming it to be rather a syllable than a letter. And Mulcaster says, “ Z is much harder amongst us, and seldom seen. S is become its lieutenant-general." 3 Coarse villain. Unbolted mortar is mortar made of unsifted lime; and therefore to break the lumps, it is necessary to tread it by men in wooden shoes. |