Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 109
... Queen's confidence , belly and womb by persuading her to commit incest and adultery . ' Wormwood ' links the Queen in Hamlet's mind with the original juice of cursed hebona in a vial ' ( 1 v 62 : 747 ) . The Player Queen's words appear ...
... Queen's confidence , belly and womb by persuading her to commit incest and adultery . ' Wormwood ' links the Queen in Hamlet's mind with the original juice of cursed hebona in a vial ' ( 1 v 62 : 747 ) . The Player Queen's words appear ...
Seite 163
... Queen Hamlet Queen Thou know'st ' tis common - all that lives must die , Passing through nature to eternity . Ay , madam , it is common . If it be , Why seems it so particular with thee ? In the graveyard it is evident that Hamlet does ...
... Queen Hamlet Queen Thou know'st ' tis common - all that lives must die , Passing through nature to eternity . Ay , madam , it is common . If it be , Why seems it so particular with thee ? In the graveyard it is evident that Hamlet does ...
Seite 194
... Queen drinks from it with the toast , " The Queen carouses to thy fortune , Hamlet ' ( 5 ii 281 : 3758 ) . As she raises it to her lips the King is either unable , or unwilling , to prevent her . Divided from his wife by the full length ...
... Queen drinks from it with the toast , " The Queen carouses to thy fortune , Hamlet ' ( 5 ii 281 : 3758 ) . As she raises it to her lips the King is either unable , or unwilling , to prevent her . Divided from his wife by the full length ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance