Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 11
... accept Hamlet's self - reproaches , and look for some reason , explained or unexplained , which prevented him from killing the King is to accept an important , although generally unstated , assumption . It accepts that the most natural ...
... accept Hamlet's self - reproaches , and look for some reason , explained or unexplained , which prevented him from killing the King is to accept an important , although generally unstated , assumption . It accepts that the most natural ...
Seite 23
... accept it . It is because he thinks that he has accepted it that Hamlet postpones the execution of vengeance on the praying Claudius . He intends to wait until the King is engaged in an act ' That has no relish of salvation in't ' ( 3 ...
... accept it . It is because he thinks that he has accepted it that Hamlet postpones the execution of vengeance on the praying Claudius . He intends to wait until the King is engaged in an act ' That has no relish of salvation in't ' ( 3 ...
Seite 121
... accept his father's death as ' natural ' . He does not expect Laertes or Ophelia to respond to the killing of Polonius in a calm or reasonable fashion . The way in which Laertes and Ophelia plunge passionately to mur- der and self ...
... accept his father's death as ' natural ' . He does not expect Laertes or Ophelia to respond to the killing of Polonius in a calm or reasonable fashion . The way in which Laertes and Ophelia plunge passionately to mur- der and self ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance