Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 21
... believes that the murder of his brother is recorded in heaven . There he will be called upon to give a true account of his actions before the bar of a court which cannot be de- ceived by false - seeming but will compel him to give ...
... believes that the murder of his brother is recorded in heaven . There he will be called upon to give a true account of his actions before the bar of a court which cannot be de- ceived by false - seeming but will compel him to give ...
Seite 70
... believes that the play is a surgical probe designed to ' tent ' Claudius ' to the quick ' ( 2 ii 593 : 1637 ) . Once this probe has exposed Claudius as the infected sore which is poisoning Denmark it will be a simple matter to cure it ...
... believes that the play is a surgical probe designed to ' tent ' Claudius ' to the quick ' ( 2 ii 593 : 1637 ) . Once this probe has exposed Claudius as the infected sore which is poisoning Denmark it will be a simple matter to cure it ...
Seite 135
A Study in Hamlet Nigel Alexander. Polonius believes that Hamlet intends to deceive Ophelia . For every one of her ... believe his vows ; for they are brokers , Not of that dye which their investments show But mere implorators of unholy ...
A Study in Hamlet Nigel Alexander. Polonius believes that Hamlet intends to deceive Ophelia . For every one of her ... believe his vows ; for they are brokers , Not of that dye which their investments show But mere implorators of unholy ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance