Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
Im Buch
Ergebnisse 1-3 von 56
Seite 51
... court glitters with the ceremony of a new reign and a recent wedding . Hamlet wears black- the colour of remembrance for the dead . The argument falls naturally into two parts . Before the court Claudius uses all the persuasive and ...
... court glitters with the ceremony of a new reign and a recent wedding . Hamlet wears black- the colour of remembrance for the dead . The argument falls naturally into two parts . Before the court Claudius uses all the persuasive and ...
Seite 92
... court play , as illusions which should spur him on to the necessary reality of killing the King . Since they do not have this effect it has often been assumed that they are merely incidental to the revenge plot . In the action of the court ...
... court play , as illusions which should spur him on to the necessary reality of killing the King . Since they do not have this effect it has often been assumed that they are merely incidental to the revenge plot . In the action of the court ...
Seite 95
... court of Denmark assembles four times on the stage in the course of the play . The council scene , the play scene , the burial of Ophelia , and the duel are all ceremonial occasions which reflect the past and continuing life of the court ...
... court of Denmark assembles four times on the stage in the course of the play . The council scene , the play scene , the burial of Ophelia , and the duel are all ceremonial occasions which reflect the past and continuing life of the court ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance