Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 11
... created by violence and treachery they become themselves violent and treacherous . As the play proceeds it becomes clear that Hamlet's problem is not only to combat the violence and treachery with which he is surrounded but to try to ...
... created by violence and treachery they become themselves violent and treacherous . As the play proceeds it becomes clear that Hamlet's problem is not only to combat the violence and treachery with which he is surrounded but to try to ...
Seite 11
... created by this rapid alternation between the language of blood revenge and the language of conscience . These contradictory attitudes can only be reconciled or explained away if the critic chooses to ignore one or more of the ...
... created by this rapid alternation between the language of blood revenge and the language of conscience . These contradictory attitudes can only be reconciled or explained away if the critic chooses to ignore one or more of the ...
Seite 21
... created the world of things after his miraculous re - birth in the following manner : one day Dionysos gazed at himself in a mirror , the work of the mythical artisan Hephaistos , and , seduced by the reflection , created the external ...
... created the world of things after his miraculous re - birth in the following manner : one day Dionysos gazed at himself in a mirror , the work of the mythical artisan Hephaistos , and , seduced by the reflection , created the external ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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