Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 11
... duel four of the main characters die by poison . Shakespeare deploys all the resources of his exceptional sense of theatre , and all the imaginative power of his language , to assist the players in this performance of poison , play , and ...
... duel four of the main characters die by poison . Shakespeare deploys all the resources of his exceptional sense of theatre , and all the imaginative power of his language , to assist the players in this performance of poison , play , and ...
Seite 89
A Study in Hamlet Nigel Alexander. King has made the duel of wit and words a deadly contest of ' mighty opposites ' ( 5 ii 62 : 3565 ) . Since it has become a duel Hamlet is content , like the soldiers , to depend upon his skill but ...
A Study in Hamlet Nigel Alexander. King has made the duel of wit and words a deadly contest of ' mighty opposites ' ( 5 ii 62 : 3565 ) . Since it has become a duel Hamlet is content , like the soldiers , to depend upon his skill but ...
Seite 178
... duel which forms the structure of Hamlet . The war between Hamlet and Claudius is necessarily secret and un ... duel is first the combat of champions fought between King Hamlet and King Fortin- bras . It then becomes a duel of wits and ...
... duel which forms the structure of Hamlet . The war between Hamlet and Claudius is necessarily secret and un ... duel is first the combat of champions fought between King Hamlet and King Fortin- bras . It then becomes a duel of wits and ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance