Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 11
... explain his delay because Shakespeare could not explain or under- stand it . I believe this assumption to be false . Hamlet's delay is a dramatic device which allows the dramatist to question the nature of the act of revenge . This has ...
... explain his delay because Shakespeare could not explain or under- stand it . I believe this assumption to be false . Hamlet's delay is a dramatic device which allows the dramatist to question the nature of the act of revenge . This has ...
Seite 11
... explain away the plain language of the play . It is , however , clear that Hamlet's conduct , the violent reaction natural to his situation , is connected with fundamental instincts of jealousy and sexual affection . The psychology of ...
... explain away the plain language of the play . It is , however , clear that Hamlet's conduct , the violent reaction natural to his situation , is connected with fundamental instincts of jealousy and sexual affection . The psychology of ...
Seite 59
... explain his own motives if he had been able to do so . The obvious absence of a satisfactory explanation must mean that Shakespeare had no explanation to offer his audience.1 From that point it is a simple step for the commentator to ...
... explain his own motives if he had been able to do so . The obvious absence of a satisfactory explanation must mean that Shakespeare had no explanation to offer his audience.1 From that point it is a simple step for the commentator to ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance