Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 11
... fact that its present King obtained the crown by murdering his brother . The play dramatizes the way in which Claudius attempts to conceal this fact . Although he is legally and socially accepted as King of Denmark he could hardly count ...
... fact that its present King obtained the crown by murdering his brother . The play dramatizes the way in which Claudius attempts to conceal this fact . Although he is legally and socially accepted as King of Denmark he could hardly count ...
Seite 49
... fact that one may smile , and smile , and be a villain ' upon the tables of his memory and assumes the ' antic disposition ' as a defence which conceals his own fatal knowledge from the world of lunatics who surround him . Polonius uses ...
... fact that one may smile , and smile , and be a villain ' upon the tables of his memory and assumes the ' antic disposition ' as a defence which conceals his own fatal knowledge from the world of lunatics who surround him . Polonius uses ...
Seite 52
... fact that his forceful and aggres- sive behaviour is based only upon one of the opposed views which he mentions ( 1 ii 1 : 179 ) : King Though yet of Hamlet our dear brother's death The memory be green ; and that it us befitted To bear ...
... fact that his forceful and aggres- sive behaviour is based only upon one of the opposed views which he mentions ( 1 ii 1 : 179 ) : King Though yet of Hamlet our dear brother's death The memory be green ; and that it us befitted To bear ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance