Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 21
... give a true account of his actions before the bar of a court which cannot be de- ceived by false - seeming but will compel him to give evidence for the prosecution . He also believes that it is possible to obtain pardon ; that the grace ...
... give a true account of his actions before the bar of a court which cannot be de- ceived by false - seeming but will compel him to give evidence for the prosecution . He also believes that it is possible to obtain pardon ; that the grace ...
Seite 135
... give a semblance of propriety to their own fraudulent purpose - which is presumably to obtain Ophelia's ' chaste treasure ' . Ophelia would be a fool to listen to Hamlet and would expose her father as a fool for not looking after his ...
... give a semblance of propriety to their own fraudulent purpose - which is presumably to obtain Ophelia's ' chaste treasure ' . Ophelia would be a fool to listen to Hamlet and would expose her father as a fool for not looking after his ...
Seite 137
... give an image people are not expecting and beyond that , one they reject . That's what interests me . It's in this sense that I mean I always try to be subversive . That is , I give a man an image of himself whose elements are collected ...
... give an image people are not expecting and beyond that , one they reject . That's what interests me . It's in this sense that I mean I always try to be subversive . That is , I give a man an image of himself whose elements are collected ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance