Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 14
... mind . The audience are invited to compare these players ' speeches with the actual parts played in action by Hamlet and the other characters of the play . The difference between Hamlet's estimate of himself in soliloquy rehearsal and ...
... mind . The audience are invited to compare these players ' speeches with the actual parts played in action by Hamlet and the other characters of the play . The difference between Hamlet's estimate of himself in soliloquy rehearsal and ...
Seite 59
... mind is the sole content of the play . It fails to take into account that this division of purpose - and the apparent delay and indecision on the part of Hamlet - is deliberate . The dramatist is not in the least confused or indecisive ...
... mind is the sole content of the play . It fails to take into account that this division of purpose - and the apparent delay and indecision on the part of Hamlet - is deliberate . The dramatist is not in the least confused or indecisive ...
Seite 62
... mind ; just as Hamlet , while equally sabled and draped and plumed , while at least equally romantic , has a mind still more than he has a costume.1 The soliloquies are , therefore , of crucial dramatic importance . They create Hamlet's ...
... mind ; just as Hamlet , while equally sabled and draped and plumed , while at least equally romantic , has a mind still more than he has a costume.1 The soliloquies are , therefore , of crucial dramatic importance . They create Hamlet's ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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