Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 61
... person capable of feeling in the given case more than another of what is to be felt for it , and so serving in the highest degree to record it dramatically and objectively , is the only sort of person on whom we can count not to betray ...
... person capable of feeling in the given case more than another of what is to be felt for it , and so serving in the highest degree to record it dramatically and objectively , is the only sort of person on whom we can count not to betray ...
Seite 88
... person of the First Player or in the character of Fortinbras . The war , and the performance , which are the central images of the soliloquies are also the major physical images of the stage performance . These images from Hamlet's ...
... person of the First Player or in the character of Fortinbras . The war , and the performance , which are the central images of the soliloquies are also the major physical images of the stage performance . These images from Hamlet's ...
Seite 120
... person capable of acting as a ' mirror ' or model for the qualities of Laertes is his own reflection seen in a glass . Anyone who attempts to use Laertes as a ' mirror ' and to model himself upon him will achieve only the distinction of ...
... person capable of acting as a ' mirror ' or model for the qualities of Laertes is his own reflection seen in a glass . Anyone who attempts to use Laertes as a ' mirror ' and to model himself upon him will achieve only the distinction of ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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