Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 11
... provides dramatic conflict in the present , and prepares a satisfying , but unexpected , future resolution of that ... provide the spectators with a suitable synthesis of safe opinions on these sub- jects . The soliloquies conspicuously ...
... provides dramatic conflict in the present , and prepares a satisfying , but unexpected , future resolution of that ... provide the spectators with a suitable synthesis of safe opinions on these sub- jects . The soliloquies conspicuously ...
Seite 57
... provides the ideal excuse for the dramatization in action of events that occurred in the ' dark backward and abysm of time ' . In delivering a triple command to remember , to avenge his father's death , and yet to respect his mother ...
... provides the ideal excuse for the dramatization in action of events that occurred in the ' dark backward and abysm of time ' . In delivering a triple command to remember , to avenge his father's death , and yet to respect his mother ...
Seite 102
... provides a forecast or commentary on the action that is yet to come . It is the great point of balance in the play ... provide him with an artificial memory . The inner - play is thus a mnemonic aid or memory system of a kind familiar to ...
... provides a forecast or commentary on the action that is yet to come . It is the great point of balance in the play ... provide him with an artificial memory . The inner - play is thus a mnemonic aid or memory system of a kind familiar to ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance