Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
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Seite 80
... revenge ' code . If this mental juggling act has to be performed at such a crucial stage of the action then it is probable that Hamlet has ceased to act as a theatrical experience for our time . Dr Johnson believed that the speech was ...
... revenge ' code . If this mental juggling act has to be performed at such a crucial stage of the action then it is probable that Hamlet has ceased to act as a theatrical experience for our time . Dr Johnson believed that the speech was ...
Seite 88
... revenge . The very fantasy figures that he has created , however , help to suggest that Hamlet's interpretation of his own role is here mistaken . The actor and the soldier do not simply occur in the soliloquies . They appear on the ...
... revenge . The very fantasy figures that he has created , however , help to suggest that Hamlet's interpretation of his own role is here mistaken . The actor and the soldier do not simply occur in the soliloquies . They appear on the ...
Seite 184
... revenge are often as infinite as they are wrongful . That the matter is of more than academic or theatrical interest may be suggested by the staged theatricality of the revenge cycle enacted in the forest of Réthondes on 21 June 1940 ...
... revenge are often as infinite as they are wrongful . That the matter is of more than academic or theatrical interest may be suggested by the staged theatricality of the revenge cycle enacted in the forest of Réthondes on 21 June 1940 ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
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