Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
Im Buch
Ergebnisse 1-3 von 77
Seite 50
... scene is to suggest that the Ghost may be a devil . It is true that the Devil is capable of being ' hic et ubique ' ( 1 V 156 : 853 ) and that Hamlet may be indicating the devilish character of the Ghost by using such phrases as ...
... scene is to suggest that the Ghost may be a devil . It is true that the Devil is capable of being ' hic et ubique ' ( 1 V 156 : 853 ) and that Hamlet may be indicating the devilish character of the Ghost by using such phrases as ...
Seite 95
... scene is one of a crucial series of scenes in which Shake- speare develops the plot in rapid and decisive fashion . The court of Denmark assembles four times on the stage in the course of the play . The council scene , the play scene ...
... scene is one of a crucial series of scenes in which Shake- speare develops the plot in rapid and decisive fashion . The court of Denmark assembles four times on the stage in the course of the play . The council scene , the play scene ...
Seite 151
... scene is one of the most tragic in the play because the characters are burying the future . The graveyard scene , which is also the scene of Hamlet's final declaration of the passionate sexual love which has blazed through his supposed ...
... scene is one of the most tragic in the play because the characters are burying the future . The graveyard scene , which is also the scene of Hamlet's final declaration of the passionate sexual love which has blazed through his supposed ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance