Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 Seiten |
Im Buch
Ergebnisse 1-3 von 37
Seite 63
... Understanding , and Will . The seventh soliloquy ( 4 iv 32-66 : 2743 Q 26-60 ) sums up , but deliberately fails to solve , the argument about memory , understanding , and will . It begins with a consideration of man's ' capability and ...
... Understanding , and Will . The seventh soliloquy ( 4 iv 32-66 : 2743 Q 26-60 ) sums up , but deliberately fails to solve , the argument about memory , understanding , and will . It begins with a consideration of man's ' capability and ...
Seite 78
... understanding . In the next two soliloquies Hamlet will attempt to transform his own personality into the kind of ... understanding , and will in Hamlet's mind which Hamlet is himself determined to destroy by dedicating all of his ...
... understanding . In the next two soliloquies Hamlet will attempt to transform his own personality into the kind of ... understanding , and will in Hamlet's mind which Hamlet is himself determined to destroy by dedicating all of his ...
Seite 79
... understanding which Shakespeare has dramatized in the creation of Hamlet's consciousness . What is unnatural in Elsinore is not Hamlet's abrupt swings of emotion . It is the dedication of the King to complete , total , and therefore ...
... understanding which Shakespeare has dramatized in the creation of Hamlet's consciousness . What is unnatural in Elsinore is not Hamlet's abrupt swings of emotion . It is the dedication of the King to complete , total , and therefore ...
Inhalt
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action actor allows appears argued argument attempt audience avenger aware beauty become beginning believes body brother called cause characters choice Claudius clear closet command complete conduct conscience consciousness consequences court created critical dead death Denmark describes desire difficulty dramatic dramatist duel effect entire evident exist explain expressed face fact failed fashion father figure final follow force fortune future Gertrude Ghost give graces graveyard Guildenstern Hamlet harmony Horatio human imagery important inner-play killing kind King King's Laertes language Lucianus madness means memory mind mirror moral mother murder nature offers Ophelia passion past performance person play Player poison Polonius possible present problems provides Queen questions reason remembrance Renaissance response revenge role Rosencrantz scene sense sexual Shakespeare soliloquies soul speech stage suggests symbol theatre thought true turn understanding University vengeance