The Works of John Dryden: In Verse and Prose, Band 2Harper & Brothers, 1859 |
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Seite 8
... beauty , ap- plies oblivion , ignorance , wonder , desire , and the like , to his trees . The last Georgic has , in ... beauty in it ; and indeed the beauty of it is , what I have before observed to be frequently met with in Virgil , the ...
... beauty , ap- plies oblivion , ignorance , wonder , desire , and the like , to his trees . The last Georgic has , in ... beauty in it ; and indeed the beauty of it is , what I have before observed to be frequently met with in Virgil , the ...
Seite 8
... beauty and skill in piping ; invites the youth into the country , where he promises him the diversions of the place , with a suitable present of nuts and apples . But when he finds nothing will prevail , he resolved to quit his trou ...
... beauty and skill in piping ; invites the youth into the country , where he promises him the diversions of the place , with a suitable present of nuts and apples . But when he finds nothing will prevail , he resolved to quit his trou ...
Seite 8
... beauty's pride When youth and love are hard to be denied : But what I could refuse to his request , Is yours unask'd ; for you deserve it best . PASTORAL VL OR , SILENUS . ARGUMENT . Two young shepherds , Chromís and Mnasylus having ...
... beauty's pride When youth and love are hard to be denied : But what I could refuse to his request , Is yours unask'd ; for you deserve it best . PASTORAL VL OR , SILENUS . ARGUMENT . Two young shepherds , Chromís and Mnasylus having ...
Seite 14
... beauty blest his bed . The swains and tardy neatherds came , and last Menalcas , wet with beating winter mast , Wond'ring they ask'd from whence arose thy flame . Yet more amaz'd , thy own Apollo came . Flush'd were his cheeks , and ...
... beauty blest his bed . The swains and tardy neatherds came , and last Menalcas , wet with beating winter mast , Wond'ring they ask'd from whence arose thy flame . Yet more amaz'd , thy own Apollo came . Flush'd were his cheeks , and ...
Seite 29
... beauty fir'd , My soul is ravish'd , and my brain inspir'd- Whose priest I am , whose holy fillets wear- Would you your poet's first petition hear ; Give me the ways of wand'ring stars to know , The depths of heav'n above , and earth ...
... beauty fir'd , My soul is ravish'd , and my brain inspir'd- Whose priest I am , whose holy fillets wear- Would you your poet's first petition hear ; Give me the ways of wand'ring stars to know , The depths of heav'n above , and earth ...
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Häufige Begriffe und Wortgruppen
Æneas amongst Anchises ancient appear Aristotle arms Ascanius Ausonian bear beauty behold better betwixt blood body breast colours command Cotterstock coursers death Dido divine Dryden Duke of Guise Eneas ev'ry eyes fame fate father favour fear field fight fire flames flood foes force fortune friends genius Georgic give gods grace Grecian ground hand haste head heav'n hero honour imitate JACOB TONSON JOHN DRYDEN Jove king labour land Latian light living lord manner Messapus Mezentius mind Mnestheus MOPSUS nature never night noble o'er Ovid painter painting Pallas passions plain play pleasing Plutarch poem poet poetry Polybius pow'r prince queen race rage reason rest rhyme Roman Rutulian sacred shore sight sire skies soul sword thee things thou thought tion Titian tow'rs town tragedy translation Trojan Troy Turnus verse Virgil winds wood words youth
Beliebte Passagen
Seite 241 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Seite 134 - The gates of hell are open night and day ; Smooth the descent, and easy is the way : But, to return, and view the cheerful skies — In this the task and mighty labour lies.
Seite 233 - Xenophon affirms to have died in his bed of extreme old age. Nay more, when the event is past dispute, even then we are willing to be deceived, and the poet, if he contrives it with appearance of truth, has all the audience of his party ; at least during the time his play is acting : so naturally we are kind to virtue, when our own interest is not in question, that we take it up as the general concernment of mankind. On the other side, if you consider the historical plays of...
Seite 255 - The pity which the poet is to labour for, is for the criminal, not for those or him whom he has murdered, or who have been the occasion of the tragedy. The terror is likewise in the punishment of the same criminal, who, if he be represented too great an offender, will not be pitied ; if altogether innocent, his punishment will be unjust.
Seite 84 - Endure, and conquer ! Jove will soon dispose, To future good, our past and present woes. With me, the rocks of Scylla you have tried ; Th' inhuman Cyclops, and his den defied.
Seite 97 - And, where the rafters on the columns meet, We push them headlong with our arms and feet. The lightning flies not swifter than the fall, Nor thunder louder than the ruin'd wall : Down goes the top at once ; the Greeks beneath Are piecemeal torn, or pounded into death.
Seite 77 - I found the difficulty of translation growing on me in every succeeding book: for Virgil, above all poets, had a stock, which I may call almost inexhaustible, of figurative, elegant, and sounding words. I, who inherit but a small portion of his genius, and write in a language so much inferior to the Latin, have found it very painful to vary phrases, when the same sense returns upon me. Even he himself, whether out of necessity or choice, has often expressed the same thing in the same words, and often...
Seite 242 - As for Jonson, to whose character I am now arrived, if we look upon him while he was himself (for his last plays were but his dotages), I think him the most learned and judicious writer which any theatre ever had. He was a most severe judge of himself, as well as others. One cannot say he wanted wit, but rather that he was frugal of it.
Seite 240 - ... counter-turns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you see they write as irregularly as we, though they cover it more speciously. Hence the reason is perspicuous why no French plays, when translated, have,' or ever can succeed on the English stage.
Seite 242 - But he has done his robberies so openly that one may see he fears not to be taxed by any law. He invades authors like a monarch; and what would be theft in other poets is only victory in him. With the spoils of these writers he so represents old Rome...