The Works of John Dryden: In Verse and Prose, Band 2Harper & Brothers, 1859 |
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Seite 8
... colour falls away by such just degrees , and another rises so insen- sibly , that we see the variety , without being able to distinguish the total vanishing of the one from the first appearance of the other . Nor is it sufficient to ...
... colour falls away by such just degrees , and another rises so insen- sibly , that we see the variety , without being able to distinguish the total vanishing of the one from the first appearance of the other . Nor is it sufficient to ...
Seite 8
... colour shine ; But the luxurious father of the fold With native purple , and unborrow'd gold , Beneath his pompous fleece shall proudly sweat , And under Tyrian robes the lamb shall bleat . The Fates , when they this happy web have spun ...
... colour shine ; But the luxurious father of the fold With native purple , and unborrow'd gold , Beneath his pompous fleece shall proudly sweat , And under Tyrian robes the lamb shall bleat . The Fates , when they this happy web have spun ...
Seite 12
... colours join'd ; Tarice bind about his thrice devoted head , Which round the sacred altar thrice is led . Unequal numbers please the gods . - My charms , Restore my Daphnis to my longing arms . " Knit with three knots the fillets : knit ...
... colours join'd ; Tarice bind about his thrice devoted head , Which round the sacred altar thrice is led . Unequal numbers please the gods . - My charms , Restore my Daphnis to my longing arms . " Knit with three knots the fillets : knit ...
Seite 21
... colours erring on his face . If fiery red his glowing globe descends , High winds and furious tempests he portends ... colour show , That sullen mixture shall at once declare Winds , rain , and storms , and elemental war . What desp'rate ...
... colours erring on his face . If fiery red his glowing globe descends , High winds and furious tempests he portends ... colour show , That sullen mixture shall at once declare Winds , rain , and storms , and elemental war . What desp'rate ...
Seite 25
... colour , their fertility : And first for heath , and barren hilly ground , Where meagre clay and flinty stones abound , Where the poor soil all succour seems to want- Yet this suffices the Palladian plant . Undoubted signs of such a ...
... colour , their fertility : And first for heath , and barren hilly ground , Where meagre clay and flinty stones abound , Where the poor soil all succour seems to want- Yet this suffices the Palladian plant . Undoubted signs of such a ...
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Æneas amongst Anchises ancient appear Aristotle arms Ascanius Ausonian bear beauty behold better betwixt blood body breast colours command Cotterstock coursers death Dido divine Dryden Duke of Guise Eneas ev'ry eyes fame fate father favour fear field fight fire flames flood foes force fortune friends genius Georgic give gods grace Grecian ground hand haste head heav'n hero honour imitate JACOB TONSON JOHN DRYDEN Jove king labour land Latian light living lord manner Messapus Mezentius mind Mnestheus MOPSUS nature never night noble o'er Ovid painter painting Pallas passions plain play pleasing Plutarch poem poet poetry Polybius pow'r prince queen race rage reason rest rhyme Roman Rutulian sacred shore sight sire skies soul sword thee things thou thought tion Titian tow'rs town tragedy translation Trojan Troy Turnus verse Virgil winds wood words youth
Beliebte Passagen
Seite 241 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Seite 134 - The gates of hell are open night and day ; Smooth the descent, and easy is the way : But, to return, and view the cheerful skies — In this the task and mighty labour lies.
Seite 233 - Xenophon affirms to have died in his bed of extreme old age. Nay more, when the event is past dispute, even then we are willing to be deceived, and the poet, if he contrives it with appearance of truth, has all the audience of his party ; at least during the time his play is acting : so naturally we are kind to virtue, when our own interest is not in question, that we take it up as the general concernment of mankind. On the other side, if you consider the historical plays of...
Seite 255 - The pity which the poet is to labour for, is for the criminal, not for those or him whom he has murdered, or who have been the occasion of the tragedy. The terror is likewise in the punishment of the same criminal, who, if he be represented too great an offender, will not be pitied ; if altogether innocent, his punishment will be unjust.
Seite 84 - Endure, and conquer ! Jove will soon dispose, To future good, our past and present woes. With me, the rocks of Scylla you have tried ; Th' inhuman Cyclops, and his den defied.
Seite 97 - And, where the rafters on the columns meet, We push them headlong with our arms and feet. The lightning flies not swifter than the fall, Nor thunder louder than the ruin'd wall : Down goes the top at once ; the Greeks beneath Are piecemeal torn, or pounded into death.
Seite 77 - I found the difficulty of translation growing on me in every succeeding book: for Virgil, above all poets, had a stock, which I may call almost inexhaustible, of figurative, elegant, and sounding words. I, who inherit but a small portion of his genius, and write in a language so much inferior to the Latin, have found it very painful to vary phrases, when the same sense returns upon me. Even he himself, whether out of necessity or choice, has often expressed the same thing in the same words, and often...
Seite 242 - As for Jonson, to whose character I am now arrived, if we look upon him while he was himself (for his last plays were but his dotages), I think him the most learned and judicious writer which any theatre ever had. He was a most severe judge of himself, as well as others. One cannot say he wanted wit, but rather that he was frugal of it.
Seite 240 - ... counter-turns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you see they write as irregularly as we, though they cover it more speciously. Hence the reason is perspicuous why no French plays, when translated, have,' or ever can succeed on the English stage.
Seite 242 - But he has done his robberies so openly that one may see he fears not to be taxed by any law. He invades authors like a monarch; and what would be theft in other poets is only victory in him. With the spoils of these writers he so represents old Rome...