A Fallen Idol Is Still a God: Lermontov and the Quandaries of Cultural Transition
Stanford University Press, 26.10.2006 - 304 Seiten
A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
ambiguous ambivalence anomie Arbenin argues artistic Bela believe Byron Byronic hero Chapter character Circassian claims concludes contrast Corsair critics cultural anomie cultural change cultural integrity cultural period cultural transition death depicted Devil dramatic duel ellipsis emotional epigonal Eugene Onegin evil experience fallen idol fate Faust feel fragments friendship Goethe Goethe's Gogol Golstein Grushnitskii heroic human ideas identity ideology images imagination individual inspiration irony Izmail Izmail-Bei Lermon Lermontov Lermontov's Demon Lermontov's novel literary literature live Lugin lyric Maksim Maksimich manticism Masquerade Melmoth Melmoth the Wanderer Mephistopheles Mersereau Mikhail Lermontov moral narrative poem narrator nature Nina norms Pecho Pechorin Pechorin's journal play poet poetry post-Romantic post-Romantic anomie postmodernism Princess Mary protagonist psychological Pushkin quandaries readers Realism role Romantic hero Romantic ideals Romantic love Romanticism Romanticists Russian Literature Russian Romanticism Satan sense Shtoss social soul spirit story Taman Tamara tion transcendent traveler values vision Werner words